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Shopping poster

Review: Shopping, The Reluctant Fundamentalist and The Hangover Part III

By Cinema and Reviews

Julian Dennison and Kevin paulo in Shopping (Mark Albiston and Louis Sutherland)

Shopping (Mark Albiston & Louis Sutherland) starts with archive tele­vi­sion news foot­age of the infam­ous 1970s dawn raids, tooled-up cops break­ing down doors to track down “over­stay­ers”. As a scene-setter it’s impress­ive. It gives the film an imme­di­ate sense of men­ace but it doesn’t fol­low through – the cops nev­er arrive and the threat of deport­a­tion back to the islands (like almost everything else in the film) is nev­er dis­cussed. So, nar­rat­ively then, Shopping may dis­ap­point but as a psy­cho­lo­gic­al por­trait of ali­en­ated work­ing class teen­age life it excels.

Shopping posterNewcomer Kevin Paulo is Willie, stuck in a dead-end job dream­ing of some­thing bet­ter. His white fath­er (Alistair Browning, often threat­en­ing but with a heart in the right place) wants him to work hard and get on while his Samoan moth­er Theresa (Maureen Fepuleai) wants him to behave him­self and set a good example to young­er broth­er Solomon (Julian Dennison). He does neither of those things and falls in with a bad crowd of loc­al crims led by cha­ris­mat­ic Bennie (Jacek Koman). In their world “shop­ping” means thiev­ery and the adren­aline, the parties and beau­ti­ful Nicky (Laura Peterson) keep Willie away from his own home and a fam­ily that needs him more than he realises.

[pullquote]I won­der wheth­er the world is ready for a Pakistani James Bond.[/pullquote]Shot with style – and a budget-protecting shal­low focus – by Ginny Loane, Shopping leaves the audi­ence with plenty of work to do – filling in the gaps – until it reaches a suit­ably enig­mat­ic con­clu­sion. Strong per­form­ances from seasoned pros and new­comers alike keep the ten­sion up in indi­vidu­al scenes but I some­times felt that the through-line was no more than a slender thread.

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Review: Robin Hood, The Secret in Their Eyes & four more ...

By Cinema and Reviews

Robin Hood posterWhen my usu­al movie-going part­ner was offered the chance to see the new Robin Hood her first ques­tion was “Who is play­ing Robin?” When I told her that it was Strathmore’s finest son, Russell “Rusty” Crowe, she declined sug­gest­ing some­what unchar­it­ably that he was prob­ably bet­ter suited to play­ing Friar Tuck (or at a pinch Little John). Her favour­ite Robin is the 80s be-mulletted Michael Praed from the tele­vi­sion. Mine is a toss-up between the “fant­ast­ic” sly fox in the 1973 Disney ver­sion, John Cleese in Time Bandits and Sean Connery in Robin and Marian, so Rusty and dir­ect­or Ridley Scott had a moun­tain to climb before the open­ing cred­its even rolled.

This new Robin Hood is a pre­quel (or an ori­gin story in the com­ic book par­lance). On his way back from the Crusades with Richard the Lionheart, Robin Longstocking (sorry, Longstride) heads to Nottingham to return a sword. In Richard’s absence, England has fallen in to fin­an­cial and polit­ic­al ruin and the French are plot­ting to fill the void with an army mass­ing off the coast and spies in the court.

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