Skip to main content
Tag

red

The Weight of Elephants poster

Review: Jobs, The Weight of Elephants, Red 2, White House Down, Salinger & In the House

By Cinema and Reviews

Demos Murphy in Daniel Borgman's The Weight of Elephants (2013)

Jobs posterThe best way I can think of to sum up Jobs, the hastily-prepared not-quite adapt­a­tion of Walter Isaacson’s hastily-published bio­graphy of the Apple co-founder, is that its sub­ject would have hated it. After all, Steve had taste and – fam­ously – exer­cised it. He also did­n’t release products until they were ready where­as Joshua Michael Stern’s film feels like the win­ner of a race to be first rather than best.

Ashton Kutcher imper­son­ates Mr. Jobs effect­ively enough, to the extent of mim­ick­ing the man’s strange lope, but nev­er gets fur­ther under his skin than a blog post or tabloid head­line might. I sus­pect that is not a com­ment on Mr. Kutcher’s tal­ent but on the epis­od­ic script by first-timer Matt Whiteley. Josh Gad’s Woz provides com­ic relief only and the amount of fake facial hair on offer sug­gests the film might bet­ter have been titled iBeard.

The Weight of Elephants posterOperating on a much deep­er level is Daniel Borgman’s The Weight of Elephants, a film that pri­or­it­ises what goes on under the sur­face almost to the com­plete exclu­sion of plot. Gorgeous Demos Murphy plays 10-year-old Adrian, liv­ing with his depressed Uncle Rory (great Matthew Sunderland) and Gran (Catherine Wilkin) in sub­urb­an Invercargill. The strange dis­ap­pear­ance of three loc­al chil­dren has an upset­ting effect on a boy who is strug­gling to fit in to the world around him anyway.

Read More

Review: Winter’s Bone, Red, Made in Dagenham, Paranormal Activity 2, Resident Evil- Afterlife and I’m Still Here

By Cinema and Reviews

Winter's Bone posterHalf way through Winter’s Bone I found myself think­ing, “So, this is what the Western has become?” The best Westerns are about find­ing or sus­tain­ing a mor­al path though a law­less fron­ti­er and the fron­ti­er in Winter’s Bone is the hid­den world of the rur­al poor and the path is a strange and ter­ri­fy­ing one.

In the rough and remote Ozark Mountains, teen­age Ree Dolly (Jennifer Lawrence) is single-handedly bring­ing up her two young sib­lings while caring for her emo­tion­ally dam­aged moth­er. One cold morn­ing the Sheriff turns up with the news that her fath­er, Jessup, used their house as his bail bond and unless Ree can find him and per­suade him to turn up for Court, the fam­ily will lose everything.

Jessup is (or maybe was) what we would call a ‘P’ deal­er – the only eco­nomy in the area show­ing any kind of growth. But the com­pany he was keep­ing were the mean­est of the mean and to find her fath­er Ree must ven­ture into dan­ger­ous territory.

Read More