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the blind side

Review: The Blind Side, The Book of Eli, Antichrist & Letters to Juliet

By Cinema and Reviews

God is in the house this week. He turns up in the val­ues of a wealthy Tennessee fam­ily who adopt a poor black kid and turn him into a cham­pi­on, He fea­tures in a big leath­er book car­ried across a post-apocalyptic America by enig­mat­ic Denzel Washington, and He is not­able for His absence in a Lars von Trier shock­er that is unlike any­thing you will have seen before or see since.

First, the good ver­sion. Based on a best selling book by Michael Lewis, The Blind Side would not have made it New Zealand screens if it wasn’t for Sandra Bullock’s sur­prise Oscar win earli­er this year and it’s easy to see why dis­trib­ut­ors might have left it on the shelf. Personally, I’m glad they didn’t. My com­pan­ion had no know­ledge of, or affin­ity for, American Football or the com­plex and baff­ling col­lege sports struc­ture and was, there­fore, a bit left out of a story that man­aged to push all my but­tons fairly effortlessly.

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Review: The Hurt Locker, Clash of the Titans, Nowhere Boy & Valentine’s Day

By Cinema and Reviews

The Hurt Locker posterIt took well over 18 months for Kathryn Bigelow’s The Hurt Locker to get a gen­er­al release in New Zealand – a year in which it stead­ily built audi­ences and crit­ic­al acclaim at world­wide fest­ivals and pub­lic screen­ings. In fact, until it was nom­in­ated for a Golden Globe late last year the film had no New Zealand release date sched­uled and many film buffs resor­ted to illi­cit online sources to try and see (what was being touted) as one of the films of the decade.

This is a wor­ry­ing trend. Increasingly, some of the best films are head­ing straight to DVD (some­times, if the tim­ing works, with a Film Festival screen­ing but not always) and, des­pite New Zealand hav­ing a fine track record for sup­port­ing art­house and thought­ful product, I find myself con­fron­ted every week by rub­bish like Law Abiding Citizen and Bounty Hunter. Somewhere along the line the dis­trib­ut­ors have lost their nerve: The Blind Side, which won an Academy Award for Sandra Bullock last month, has only just been giv­en a slot by Roadshow (Warner Brothers). A Serious Man was one of the most bril­liant and intel­li­gent films I’ve ever seen and only one print was placed in Wellington – and it was a Coen Brothers Film!

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