The best way I can think of to sum up Jobs, the hastily-prepared not-quite adaptation of Walter Isaacson’s hastily-published biography of the Apple co-founder, is that its subject would have hated it. After all, Steve had taste and – famously – exercised it. He also didn’t release products until they were ready whereas Joshua Michael Stern’s film feels like the winner of a race to be first rather than best.
Ashton Kutcher impersonates Mr. Jobs effectively enough, to the extent of mimicking the man’s strange lope, but never gets further under his skin than a blog post or tabloid headline might. I suspect that is not a comment on Mr. Kutcher’s talent but on the episodic script by first-timer Matt Whiteley. Josh Gad’s Woz provides comic relief only and the amount of fake facial hair on offer suggests the film might better have been titled iBeard.
Operating on a much deeper level is Daniel Borgman’s The Weight of Elephants, a film that prioritises what goes on under the surface almost to the complete exclusion of plot. Gorgeous Demos Murphy plays 10-year-old Adrian, living with his depressed Uncle Rory (great Matthew Sunderland) and Gran (Catherine Wilkin) in suburban Invercargill. The strange disappearance of three local children has an upsetting effect on a boy who is struggling to fit in to the world around him anyway.
It’s easy to laugh at ageing movie stars. Crumbs, when they make films like 
