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the last station

2010 Wellington Cinema Year in Review

By Cinema

So, after trawl­ing through the many thou­sands of words writ­ten about cinema in these pages this year, I sup­pose you want me to come to some con­clu­sions? Do some “sum­ming up”? Help guide you through the great video store of life? Well, alright then. Here goes.

We don’t do Top Ten lists here at the Capital Times – they are reduct­ive, facile and, frankly, you have to leave too many titles out. I have taken to divid­ing my year’s view­ing up into cat­egor­ies: keep­ers are films I want to have in my home and watch whenev­er the mood takes me; renters are the films that I could hap­pily watch again; then there are the films that I enjoyed but am in no hurry to repeat, the films I might have mis­judged first time around, the films I can’t get out of my head (for bet­ter or worse), the films I am sup­posed to love but you know, meh, and most import­ant of all – the films you should avoid as if your very life depends upon it.

First, the keep­ers: a sur­prise for some will be Fantastic Mr. Fox which was released after my 2009 Year in Review was sub­mit­ted and the only film in the list that I already own. Animal Kingdom was the film I most recom­men­ded this year – a stun­ning, tense piece of work that gripped me totally.

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Review: Sex and the City 2, Coco & Igor and StreetDance 3D

By Cinema and Reviews

It’s been a week­end made for movie watch­ing with cinemas across the city groan­ing under the weight of pat­rons escap­ing the filthy weath­er. It’s been so busy, in fact, that I failed to get in to either screen­ing of The Last Station that I tried to attend – sold out at the Lighthouse and the Penthouse. Obviously, I should know bet­ter than to not book in advance on a hol­i­day week­end but it means that I’m one down on the reviews I planned to offer you this week.

Sex and the City 2 posterInstead of Tolstoy and his Russian cul­tur­al leg­acy, then, we kick-off with Sex and the City 2, a film that already has had some notori­ously vicious reviews, and it deserves every single bit of vit­ri­ol the world can throw at it. SATC2 is an arti­fact of pure evil, a hate crime dis­guised as a puppy. I thought that the first film was point­less and dumb, but didn’t real­ise how offens­ive and per­ni­cious the val­ues on dis­play actu­ally are. There’s not a char­ac­ter in this film that isn’t a nar­ciss­ist­ic whiner, stuck in their priv­ileged little bubble, will­fully ignor­ant of any­thing oth­er than them­selves and the fantasy world they live in.

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Review: Get Him to the Greek, The Last Station and Amreeka

By Cinema and Reviews

Get Him to the Greek posterForgetting Sarah Marshall was one of the sur­prise pleas­ures of 2008. An Apatow com­edy that was rel­at­ively mod­est about it’s ambi­tions it fea­tured a break-out per­form­ance from English comedi­an Russell Brand, play­ing a ver­sion of his own louche stage persona.

As it so often goes with sur­prise hits, a spinoff was rushed into pro­duc­tion and we now get to see wheth­er Mr Brand’s brand of humour can carry an entire film. Get Him to the Greek sees Brand’s English rock star Aldous Snow on the comeback trail after a failed sev­en year attempt at sobri­ety. Unlikely LA A&R man Jonah Hill (Knocked Up, Funny People) sells his record label boss, Sean “P Diddy” Combs, on a 10th anniversary con­cert fea­tur­ing Snow and his band Infant Sorrow at the Greek Theatre of the title.

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