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tobey maguire

Review: The Great Gatsby, Bekas, Fast & Furious 6 and The Last Sentence

By Cinema and Reviews

The Great Gatsby still

For all the digital glitter and anachronistic hip-hoppery that signifies our latest re-entry into Luhrman-land, The Great Gatsby itself takes fundamental inspiration from a black and white classic from 1941. Featuring a flashback framing device, a lonely and heartsick tycoon staring out of the window of a grotesque castle, and even a breathless deathbed “Daisy” uttered as if it summed up an entire life (like “Rosebud”), Gatsby is no less than Baz Luhrman’s Citizen Kane. Even his star, Leonardo DiCaprio is starting to resemble a Wellesian hero, at least in the jowels if not the girth.

The Great Gatsby posterSo, no pressure, then, Baz – you’re only merging the great American novel and the greatest movie of all time. Of course, he can’t possibly succeed on his own unimaginably ambitious terms, but he falls a bit short on the basic “tell a story” level too – even if he manages to make some sequences sing.

Set in 1922 (and written by F. Scott Fitzgerald in 1925, well before the Jazz Age came crashing down into the Great Depression), Gatsby is the story of one man’s reinvention out of the trauma of World War One and into the longest, biggest (and most illegal) party the world had ever seen.

[pullquote]Fast & Furious is vast and curious[/pullquote]DiCaprio’s Gatsby has built a business empire out of the drug stores and speakeasies of Manhattan and a Xanadu on the shores of Long Island, all the while gazing longingly across the water at the house where Daisy Buchanan (Carey Mulligan) lives. Daisy is the last piece of his puzzle, she will make him whole and she will help him gain acceptance into the high society that scorns his dubiously-earned new money. He may also genuinely be in love with her, of course.

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Review: Law Abiding Citizen, Remember Me and Max Manus

By Cinema and Reviews

Stars are important. Despite their supposedly waning influence on box office (Avatar managed perfectly well without a marquee name and Bruce Willis hasn’t carried a hit film in years) the charisma of a leading man is still a key factor in how we much we enjoy our escapism.

Law Abiding Citizen posterExhibit A is the inexplicable success of Gerard Butler. Despite an unpleasant on- screen persona that mostly oozes brutishness and condescension he continues to rate well with certain target markets and, as a result I still have to watch his films. The latest is a repellent revenge fantasy called Law Abiding Citizen in which Butler gets to smirk his way through several remote-control murders while supposedly locked away in solitary confinement. How does he do it, we are supposed to ask.

Butler is Clyde Shelton, an inventor and family man whose family is randomly targeted by two low-life home invaders. They kill his wife and child (but inexplicably leave him alive as a witness) but hot shot Assistant DA (Jamie Foxx) is worried about his win-loss ratio and cuts a deal that saves one of the perps from Death Row. Shelton is upset about the supposed lack of justice and hatches an eight year plot to teach everyone involved (including the entire Philadelphia city administration and the Pennsylvania justice system) a lesson.

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