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tom hooper

Review: Summer Holiday Roundup (2012/13)

By Cinema and Reviews

As I sit here typ­ing, I can hear the sounds of a Wellington sum­mer all around me – the rain pour­ing on to the deck out­side and the wind howl­ing through the trees. Is this why loc­al film dis­trib­ut­ors release so much product over the Christmas/New Year peri­od? Perhaps it’s just cli­mate and noth­ing to do with the Oscars at all? Anyhow, here’s a quick sum­mary of what’s been dished out at loc­al cinemas in des­cend­ing order of greatness.

First up, Ang Lee’s glow­ing 3D adapt­a­tion of Yann Martell’s Life of Pi, storm­ing the loc­al box offices and deservedly so. Ravishing to look at – and mak­ing pro­found rather than nov­elty use of the extra depth avail­able – Lee’s film man­ages to dis­til the essence of the book’s mes­sage even if the ambigu­ous end­ing proves less sat­is­fy­ing cine­mat­ic­ally than lit­er­ar­ily. Dreamy. I was par­tic­u­larly taken by the con­scious recre­ation of the book’s ori­gin­al cov­er in one scene, even to the extent of chan­ging the film’s aspect ratio for that single shot.

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Review: Black Swan, The King’s Speech, The Fighter, Desert Flower, Unstoppable, Burlesque, Little Fockers, Green Hornet and The Hopes and Dreams of Gazza Snell

By Cinema and Reviews

Following up on the 2009 sur­prise hit The Wrestler, Darren Aronofsky has offered us anoth­er film about people who des­troy them­selves for our enter­tain­ment – this time in the rar­efied world of bal­let. Tiny Natalie Portman is plucked from the chor­us of the fic­tion­al but pres­ti­gi­ous New York City Ballet for the dream role of the Swan in a hot new pro­duc­tion. It’s the chance of a life­time but her fra­gile psy­cho­logy shows through in her per­form­ance even though her dan­cing is tech­nic­ally per­fect. Maestro Vincent Cassel tries to recon­struct her – as you would a first year drama school stu­dent – while dom­in­eer­ing stage moth­er Barbara Hershey is push­ing back in the oth­er dir­ec­tion. Something has to break and it does.

Black Swan is excep­tion­ally well made, beau­ti­ful and chal­len­ging to watch – and Portman’s per­form­ance is noth­ing short of amaz­ing – but films that aspire to great­ness need to be about some­thing more than, you know, what they’re about and once I’d decoded was going on I couldn’t see enough under the sur­face to jus­ti­fy the hype.

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Review: The Damned United, The Final Destination, Red Cliff and A Pain in the Ass

By Cinema and Reviews

Four films are on the agenda this week and only time will tell this early in the sea­son wheth­er they are going to be genu­ine title con­tenders, gritty bat­tle­rs hop­ing for a shot at mid-table obscur­ity or no-hopers doomed to a sea­son of heartache and inev­it­able releg­a­tion. Please excuse the laboured foot­ball meta­phors but the best of this week’s releases is set in the world of 1970s English foot­ball (all fags, booze and Deep Heat) and I let the mud get under my fin­ger­nails a bit.

The Damned United posterBased on the 2006 sur­prise hit nov­el by David Peace, The Damned United is about the bizarre 44 days in 1974 when mer­cur­i­al British foot­ball man­ager Brian Clough tried to man­age Leeds United. Opinion is divided about wheth­er the pos­sibly men­tally unbal­anced Clough was actu­ally try­ing to des­troy a team he hated from the inside or wheth­er he had genu­inely let his ambi­tion (and com­pet­it­ive streak) get the bet­ter of his judge­ment and the book suc­cess­fully man­ages to get deep inside the head of a man who is unrav­el­ling under the pres­sure but the film isn’t as ambitious.

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