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Review: Summer Holiday Roundup (2012/13)

By Cinema and Reviews

As I sit here typing, I can hear the sounds of a Wellington summer all around me — the rain pouring on to the deck outside and the wind howling through the trees. Is this why local film distributors release so much product over the Christmas/New Year period? Perhaps it’s just climate and nothing to do with the Oscars at all? Anyhow, here’s a quick summary of what’s been dished out at local cinemas in descending order of greatness.

First up, Ang Lee’s glowing 3D adaptation of Yann Martell’s Life of Pi, storming the local box offices and deservedly so. Ravishing to look at — and making profound rather than novelty use of the extra depth available — Lee’s film manages to distil the essence of the book’s message even if the ambiguous ending proves less satisfying cinematically than literarily. Dreamy. I was particularly taken by the conscious recreation of the book’s original cover in one scene, even to the extent of changing the film’s aspect ratio for that single shot.

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Review: Two Lovers, My Sister’s Keeper, The Imaginarium of Dr Parnassus and A Christmas Carol

By Cinema and Reviews

Two Lovers posterAt what point in a man’s life does he decide to become a dry cleaner? For Joaquin Phoenix’s character, Leonard Kraditor, in Two Lovers that day is never and yet he still finds himself to be one. He’s a sensitive soul whose mental health issues have resulted in several suicide attempts, a permanent relationship with medication and a need to start again with his loving parents in their small apartment in Brooklyn.

His father introduces him to the daughter of a business associate (Vinessa Shaw) in the hopes that a positive relationship might heal his son and also be a profitable development for the dry cleaning business. At the same time, Leonard meets and falls for the beautiful and mysterious upstairs neighbour, played by Gwyneth Paltrow, whose own relationship with a wealthy married man is doing her no good.

Two Lovers is written and directed by James Gray, the iconoclastic and uncompromising independent filmmaker responsible for the gritty New York dramas Little Odessa and last year’s We Own the Night , which also starred Phoenix. It’s a careful and sensitive picture about how so often love is about wanting to heal and protect someone – Shaw wants to heal Phoenix and he wants to heal Paltrow and none of them realise the extent to which they have to heal themselves first.

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