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vincent price

Review: Killing Them Softly, The Angels’ Share, Safety Not Guaranteed, Frankenweenie, Paranormal Activity 4 and God Bless America

By Cinema, Reviews

Andrew Dominik was born in Wellington but shipped out at the age of two for Australia. We really need to claim him back as he’s one of the most intriguing dir­ect­ors cur­rently work­ing. Perhaps that should be “rarely work­ing” as his latest, Killing Them Softly, is only his third fea­ture cred­it in 12 years. Chopper turned heads in 2000 and got him to Hollywood. The Assassination of Jesse James by the Coward Robert Ford was an ele­gi­ac adapt­a­tion of a great nov­el, the screen ver­sion echo­ing great late-period west­erns like Heaven’s Gate and The Long Riders.

In Killing Them Softly, Dominik remains in genre ter­rit­ory but again he is tran­scend­ing and sub­vert­ing it. It’s a gang­ster flick fea­tur­ing a bunch of famil­i­ar fig­ures – James Gandolfini (The Sopranos), Ray Liotta (Goodfellas), Ben Mendelsohn (Animal Kingdom). You see those names on the cast list and you think you know what you’re going to get, but here they stretch out in supris­ing dir­ec­tions, reveal­ing lay­ers of human­ity no less ugly than the clichéd bang-bang we are used to, but truer, sad­der and ulti­mately more trenchant.

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Review: The Skin I Live In, Martha Marcy May Marlene and Ghost Rider- Spirit of Vengeance

By Cinema, Reviews

The Skin I Live In posterAnyone won­der­ing wheth­er the great Pedro Almodóvar had lost some of his edge at the ripe old age of 62 should imme­di­ately check out his new film The Skin I Live In which is as deranged as any­thing else he has pro­duced in more than thirty years of fea­ture film mak­ing. Puss In Boots him­self, Antonio Banderas, plays a suc­cess­ful plastic sur­geon with a dark secret. Many of his greatest med­ic­al achieve­ments are a res­ult of the exper­i­ments he con­ducts on a beau­ti­ful woman (Elena Anaya) held cap­tive in his mansion.

Who is she? Why is she there? These ques­tions are answered in the film but have to be skir­ted around here for even the tini­est hint at spoil­ers will wreck some of the twisti­est (in all senses of the word except per­haps con­fec­tion­ary) sur­prises you will exper­i­ence all year. It’s enough to say that if this film had been made in the 1950s then Banderas’ char­ac­ter would have been played by Vincent Price (think House of Wax) and that every­one involved would have been run out of town by the authorities.

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