Anyone wondering whether the great Pedro Almodóvar had lost some of his edge at the ripe old age of 62 should immediately check out his new film The Skin I Live In which is as deranged as anything else he has produced in more than thirty years of feature film making. Puss In Boots himself, Antonio Banderas, plays a successful plastic surgeon with a dark secret. Many of his greatest medical achievements are a result of the experiments he conducts on a beautiful woman (Elena Anaya) held captive in his mansion.
Who is she? Why is she there? These questions are answered in the film but have to be skirted around here for even the tiniest hint at spoilers will wreck some of the twistiest (in all senses of the word except perhaps confectionary) surprises you will experience all year. It’s enough to say that if this film had been made in the 1950s then Banderas’ character would have been played by Vincent Price (think House of Wax) and that everyone involved would have been run out of town by the authorities.
Every week on 
And seeing as I missed a column through illness last week, I have a feeling that my two-word reviews might come in handy helping us to catch up. So, for the found-footage High School party-gone-wrong movie 
Which brings us to the good stuff (and there’s plenty of it about at the moment).