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wes anderson

Review: Moonrise Kingdom and The Expendables 2

By Cinema and Reviews

Moonrise Kingdom posterWes Anderson may be the cur­rently work­ing dir­ect­or least suited to using 3D. His scenes are often flat tableaux with his char­ac­ters spread out lat­er­ally across the screen. If he was telling the story of Moonrise Kingdom 1,000 years ago it would be a tapestry, like Bayeux, and I think he’d prob­ably be OK with that.

That visu­al style suited the pup­petry of the delight­ful Fantastic Mr Fox but this new film pop­u­lates the flat, the­at­ric­al, planes with liv­ing, breath­ing human act­ors – not just act­ors, movie stars (includ­ing Bruce Willis and Ed Norton).

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Review: Summer Holiday 09-10 Summary

By Cinema and Reviews

While hunt­ing the site for some links to add to the just pos­ted Winter’s Bone etc. review, I dis­covered that my Summer Holiday spe­cial had­n’t made it here. So, for com­plete­ness’ sake, here it is. Pretty sure, this is an early draft too but there’s no sign of an email sub­mit­ting it.

What a lovely Summer we’ve been hav­ing – for watch­ing movies. While the Avatar jug­ger­naut rolls inex­or­ably on there has plenty of oth­er options for a ded­ic­ated seeker of shel­ter from the storm.

The Lovely Bones posterReleased at any oth­er time of year, Peter Jackson’s The Lovely Bones would be get­ting a decent length eval­u­ation (and the head­line) here but with fif­teen films dis­cuss we’ll have to live with the bul­let point eval­u­ation: not un-moving. My com­pan­ion and I spent a about an hour after watch­ing TLB dis­cuss­ing it’s flaws and yet both ended up agree­ing that we’d actu­ally enjoyed the film a lot, des­pite the problems.

Personally, I think Jackson’s tend­ency towards occa­sion­al whim­sic­al in-jokery typ­i­fied the uncer­tainty of tone (I’m think­ing of his unne­ces­sary cam­era shop cameo as an example) but the fun­da­ment­al mes­sage – that the people left behind after a tragedy are more import­ant than the vic­tims – was clearly and quite bravely artic­u­lated. And when I saw the film at a crowded Embassy ses­sion, dur­ing the pivotal scene where the sis­ter dis­cov­ers the evid­ence to catch the killer, I could only hear one per­son breath­ing around me – and it wasn’t me.

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Review: The Golden Compass, Enchanted, Alvin and the Chipmunks, The Water Horse, National Treasure- Book of Secrets, I Am Legend, Sweet Land, The Kite Runner, Priceless and The Darjeeling Limited

By Cinema and Reviews

The Golden Compass posterKeen-eyed read­ers will remem­ber that a year ago I nom­in­ated The Golden Compass as my most-eagerly-awaited title of 2007. So, how did it pan out? I’m one of those who con­sider Philip Pulman’s His Dark Materials books to be the most import­ant works of fic­tion pro­duced in the last 20 years and I was sur­prised at how closely the film fol­lowed Book One (“Northern Lights”), pos­sibly to it’s det­ri­ment. I was wor­ried that a film with much expos­i­tion and detailed scene-setting might prove unwatch­able but my com­pan­ion (unfa­mil­i­ar with the books) found it thrill­ing where­as I found it hard to let myself go and relax into it – maybe second time around.

Enchanted poster Disney’s Enchanted saw Amy Adams reprise her Oscar-nominated wide-eyed naïf from Junebug. Unfortunately, as Princess Giselle from the anim­ated king­dom of Andalasia, she couldn’t over­come the col­lect­ive bland­ness of James Marsden as fictional-world love interest or Patrick Dempsey as real-world love interest; diver­sions were provided by Timothy Spall and the first of sev­er­al anim­ated chip­munks to land this Christmas.

Alvin and the Chipmunks posterThe next fluffy rodents to arrive were the “singing” trio from Alvin and the Chipmunks, a recre­ation of someone’s favour­ite child­hood pop butchers. Jason Lee is a waste of space as the song­writer who dis­cov­ers them but the little crit­ters them­selves will keep your inner 8‑year-old amused for a while.

The Water Horse posterAlso for the kids was the well-meaning but slightly po-faced Loch Ness mon­ster fantasy The Water Horse, anoth­er high-class product of the family-friendly Walden Media/Weta/NZ con­fed­er­a­tion. A tre­mend­ous over­seas cast led by Ben Chaplin and Emily Watson are joined by famil­i­ar and reli­able loc­al faces like Joel Tobeck and Geraldine Brophy.

National Treasure: Book of Secrets posterNational Treasure: Book of Secrets saw Nicolas Cage arise from his coma and make a little more of an effort than he did earli­er this year in Next: it’s a noisy romp in which unlikely char­ac­ters and implaus­ible situ­ations com­bine to bam­boozle any seeker after logic. Helen Mirren, Harvey Keitel and Ed Harris add gravitas.

I Am Legend posterWill Smith returned in the oft-made man alone thrill­er I Am Legend, a per­fect example of a poor script made pal­at­able by classy dir­ec­tion and a superb lead­ing man at the top of his game. Smith plays Lt-Col Robert Neville: dec­or­ated war vet­er­an, ace micro-biologist and (judging by his address oppos­ite the Washington Square Arch) heir to the Rockefeller for­tune too. A genet­ic­ally mutated vir­us that was sup­posed to cure can­cer has gone rogue. 99% of the pop­u­la­tion has died, 1% have turned into bloodthirsty zom­bies and only one man is immune – hand­ily for our pur­poses the one man who might know how to cre­ate a vac­cine. Lots of frights, lots of great action and a mag­ni­fi­cently seam­less cre­ation of aban­doned New York make it cer­tainly worth a look. At least until the last 15 minutes when, sadly, it just gets stupid.

Sweet Land posterFinally, to the art­house: Sweet Land is an unher­al­ded gem set in beau­ti­ful rur­al Minnesota among the Northern European immig­rants who were mak­ing their lives on that land in the first quarter of the last cen­tury. Elizabeth Reaser plays German immig­rant Inge who travels from Germany to meet Lars, the man who is to be her hus­band. But she speaks no English, has no papers and the loc­als are sus­pi­cious of Germans – the mar­riage is for­bid­den. True love con­quers all but not before the bit­ter sweet tale ties three gen­er­a­tions and the fer­tile farm­land togeth­er. Recommended.

The Kite Runner posterA monu­ment to the Digital Intermediate Colourist’s art, The Kite Runner is an adapt­a­tion of the beloved nov­el by Khaled Hosseini, dir­ec­ted by Marc Forster (Finding Neverland, cur­rently shoot­ing the new Bond). Affecting but manip­u­lat­ive, The Kite Runner is a story of guilt and redemp­tion (usu­ally cat­nip to me) but in the end it relied too much on out­rageous coin­cid­ence to be truly sat­is­fy­ing. Great per­form­ances from Ahmad Khan Mahmidzada as Young Hassan and Homayoun Ershadi as Baba mean it is nev­er less than watchable.

Priceless posterPriceless is yet anoth­er French film about mis­taken iden­tity and class restric­tions: they seem to be more obsessed about class and status than the poms. Gad Elmaleh (The Valet) and Amelie’s Audrey Tautou play two ambi­tious indi­vidu­als from the serving class: he walks dogs and tends bar at a flash hotel and she is a gold dig­ger try­ing to snare a rich old hus­band. The fact that both act­ors are of North African des­cent (and there­fore are excluded from the ranks of the real French who sit at the top table) is either a subtle stroke of geni­us or dodgy racism depend­ing on the degree of Christmas spir­it you want to demonstrate.

The Darjeeling Limited posterFinally, The Darjeeling Limited is a win­ning tale of lost young men, search­ing for a fath­er fig­ure, from the mod­ern day poet of fath­er fig­ure searches, Wes Anderson (The Life Aquatic). There’s no great them­at­ic or styl­ist­ic leap made by Anderson here but he is hon­ing this stuff to a fine art. Adrien Brody, Owen Wilson and Jason Schwartzman are three broth­ers on a spir­itu­al jour­ney across India but it is the recently deceased fath­er who casts the longest shad­ow. Well made and often very funny, The Darjeeling Limited is very easy to enjoy and Anderson’s taste is exquisite.

To be prin­ted in Wellington’s Capital Times on Wednesday, 16 Jan, 2008. I am tak­ing a week­end off, away from the Internet and cinema so will catch up with the week’s new releases next week.