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Only God Forgives poster

Review: Pain & Gain, Only God Forgives, The Wolverine, The Way Way Back, The Conjuring & Byzantium

By Cinema, Reviews

Ryan Gosling in Only God Forgives (2013).

Still Mine posterStill hov­er­ing around some loc­al cinemas – and the longest-delayed of all my out­stand­ing reviews – Still Mine is a sur­pris­ingly effect­ive Canadian drama about an eld­erly man (James Cromwell, 73 but play­ing a fit 89) determ­ined to build a new house for his wife (Geneviéve Bujold) before her memory deserts her com­pletely. Cromwell gives his char­ac­ter a soft­ness which belies the usu­al ornery old dude clichés, even if his stub­born refus­al to sub­mit to the build­ing code is the device on which the story hinges. Contains lots of shots of Cromwell’s hero­ic pro­file star­ing off into the New Brunswick distance.

Ping Pong posterOlder people are, para­dox­ic­ally, the only grow­ing seg­ment of the film audi­ence in New Zealand so there’s often high qual­ity fare around the tempt them. One of the best is the doc­u­ment­ary Ping Pong, about com­pet­it­ors (genu­ine com­pet­it­ors at that) in the World Over 80s Table Tennis Championship in Inner Mongolia. Like any good doc­u­ment­ary it assembles a great cast of char­ac­ters and like all good sports movies it makes full use of the built-in drama of a knock-out tour­na­ment. Not just about the res­tor­at­ive power of exer­cise, it’s also about friend­ship and adven­ture. Inspiring, so help me.

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Review: X-Men: First Class, Pirates of the Caribbean: On Stranger Tides

By Cinema, Reviews

We’re at that time of year when the big stu­di­os role out block­buster after block­buster so that Americans look­ing to escape the stifling heat will choose to find com­fort in cinema air-conditioning and we in New Zealand hope that the cinemas are warm­er than our lounge rooms.

Apart from the Spielberg/Abrams col­lab­or­a­tion Super 8 (next week, folks) all of the big­gies this sea­son are either sequels or com­ic book adapt­a­tions, demon­strat­ing that des­pite all indic­a­tions the bot­tom of the bar­rel hasn’t quite been scraped yet.

X-Men: Furst Class posterAfter three X‑Men films and a hor­rendous Wolverine spin-off Marvel/Fox have gone back to the begin­ning in the now tra­di­tion­al fran­chise re-boot strategy per­fec­ted by Batman and stuffed up com­pletely by Bryan Singer with Superman Returns.

It’s 1962 and the Cold War is heat­ing up. In Oxford a smarmy super-intelligent booze-hound (James McAvoy) is scor­ing with girls thanks to his abil­ity to read minds. The CIA asks him for some help unrav­el­ling the mys­tery of some unex­plained phe­nom­ena in Las Vegas and is per­turbed to dis­cov­er they get his freaky mind con­trol powers as well as his ana­lys­is – and his “sis­ter” Raven (Jennifer Lawrence from Winter’s Bone) who has the abil­ity to change shape at will.

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Review: Iron Maiden: Flight 666, X-Men Origins: Wolverine and a few more ...

By Cinema, Reviews

Iron Maiden: Flight 666 posterOne of the first films I reviewed when I star­ted here was an charm­ing doc­u­ment­ary called Metal: A Headbanger’s Journey in which Canadian fans Sam Dunn and Scot McFadyen trav­elled the world talk­ing to oth­er fans (and the stars they wor­ship) about what it is that makes met­al great. In that film they inter­viewed Iron Maiden’s vocal­ist Bruce Dickinson and they must have made a decent impres­sion as Maiden (and EMI) have giv­en them a decent budget and loads of access for them to doc­u­ment their Somewhere Back in Time tour (around the world last year).

And what a wheeze the tour turned out to be. Chartering a 757 from Dickinson’s oth­er employ­er, tak­ing half the seats out so the gear and set could fit, fly­ing the whole show between gigs with Dickinson pilot­ing the whole time – a bunch of pasty middle-aged English lads hav­ing the time of their lives across half the world. The only real drama comes when drum­mer Nicko McBrain gets hit on the wrist by a golf ball, but it doesn’t mat­ter because the joy of see­ing a band really mov­ing audi­ences (in places like Mumbai and Costa Rica) is the reas­on for this film to exist. And this film rises above above oth­er recent great rock movies like U2-3D and Shine a Light – because it’s about the fans as well as the band and it recog­nises the com­plex inter­de­pend­ence of the relationship.

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