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anne hathaway

Review: St. Vincent, Deepsea Challenge 3D, Interstellar, The Hunger Games: Mockingjay - Part 1 and Nightcrawler

By Cinema and Reviews

In the last (non-Rancho) post I made a com­mit­ment to get back in to reg­u­lar review­ing and to end my year-long sab­bat­ic­al. (For the reas­ons behind the hiatus, it is recom­men­ded that you have a quick read. Go on, I’ll wait here.) It has come as a bit of a sur­prise to me that I’ve actu­ally seen as much as I have over the last few months. It didn’t feel like it but — thanks to Radio New Zealand, FishHead and Rancho Notorious — fully 18 of the films cur­rently screen­ing around Wellington are films I can actu­ally have an opin­ion on.

Anyway, here goes, and I might as well start with the old­est first. Which, as it turns out, is also a con­tender for the worst film in this post.

St. Vincent movie posterI’ve nev­er man­aged to hide my dis­dain for Little Miss Sunshine, a film which is beloved by many and held up as an example of qual­ity screen­writ­ing to which we all should aspire. It is, in fact, garbage. A col­lec­tion of tics mas­quer­ad­ing as char­ac­ters stuck in a contrived-cute situ­ation in which life les­sons will be learned too eas­ily and happy end­ings will be unearned. Theodore Melfi’s debut fea­ture St. Vincent also falls into all these traps only deep­er. It also relies so heav­ily on the great Bill Murray that it man­ages to even bring him into disrepute.

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RN 2/3: Calling Occupants

By Audio, Cinema, Rancho Notorious and Reviews

Kailey and Dan do their best to review Christopher Nolan’s Interstellar but oth­er, more inter­est­ing, films keep on get­ting in the way. Plus, James Cameron live via Skype at the Embassy Theatre Q&A for Deepsea Challenge 3D on Labour Monday.

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Review: The Dark Knight Rises, Cloudburst, Late Bloomers, Trail Notes, Sky Whisperers and King of Devil’s Island

By Cinema and Reviews

I made the mis­take of watch­ing The Dark Knight Rises twice last week. The first time was enter­tain­ing enough, I sup­pose. The open­ing set-piece – in which a CIA rendi­tions plane is hijacked in mid-air by it’s own cargo – is bril­liantly con­ceived but point­less, Anne Hathaway’s Catwoman is a breath of fresh air and the end­ing (unspoiled here) works extremely hard to tie up the many loose ends and sat­is­fy even the mean­est critic.

But second time up, the prob­lems come into even clear­er focus. The con­fused ideo­logy (a fusion of zeit­geisty “Occupy Gotham” wealth redis­tri­bu­tion and pro-vigilante “mean streets will always need clean­ing” status quo pro­tec­tion­ism), end­less tire­some expos­i­tion of both plot and theme and the huge holes in its own intern­al logic, all serve to dis­sip­ate the impact of the impress­ive visuals.

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Review: Drive, In Time, One Day, Fright Night and The Inbetweeners Movie

By Cinema and Reviews

Expat Kiwi auteur Andrew Niccol (Gattaca) some­how always man­ages to tap in to the zeit­geist and with new sci-fi thrill­er In Time his own tim­ing is almost spook­ily per­fect. A par­able about the mod­ern polit­ic­al eco­nomy, In Time isn’t a par­tic­u­larly soph­ist­ic­ated ana­lys­is but while protest­ors occupy Wall Street, St Paul’s in London and the City to Sea Bridge here in Wellington, it seems almost per­fectly cal­cu­lated to pro­voke a big Fuck You! to the bankers, spec­u­lat­ors and hoarders who are rap­idly becom­ing the Hollywood vil­lains we love to hate.

In Niccol’s world, sev­er­al dec­ades into the future, time is lit­er­ally money: human beings have been genet­ic­ally mod­i­fied to stop (phys­ic­ally) age­ing at 25. Which would be lovely apart from the fact that a clock on your writst then starts count­ing down the one year you have left to live and the time on your wrist becomes cur­rency. You can earn more by work­ing, trans­fer it to oth­ers by shak­ing hands, bor­row more from banks and loan sharks or you can spend it on booze to blot out the hor­ror of your pathet­ic little life.

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Review: Summer Holiday Round-up (2010/11)

By Cinema and Reviews

This year the sum­mer hol­i­days seemed to have been owned by the unlikely fig­ure of T.J. Miller, dead­pan comedi­an, sup­port­ing act­or and eer­ily famil­i­ar back­ground fig­ure. In Yogi Bear he was the ambi­tious but dim deputy park ranger eas­ily duped by Andrew Daly’s smarmy Mayor into help­ing him sell out Jellystone to cor­por­ate log­ging interests, in Gulliver’s Travels he was the ambi­tious but as it turns out dim mail room super­visor who pro­vokes Jack Black into pla­gi­ar­ising his way into a fate­ful travel writ­ing gig and in Unstoppable he’s the slightly less dim (and cer­tainly less ambi­tious) mate of the doo­fus who leaves the hand­brake on and then watches his enorm­ous freight train full of tox­ic waste roll away.

So, a good sum­mer for T.J. Miller then, what about the rest of us?

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Review: Star Trek, Ghosts of Girlfriends Past, Rachel Getting Married and Religulous

By Cinema and Reviews

Star Trek posterJ.J. Abrams rein­ven­tion of Star Trek is as thrill­ing a ride as we have seen any­where this year. The fran­chise has been re-booted (as the say­ing goes) and re-started from before the begin­ning of The Original Series as Kirk, Spock, Bones, etc go on their first voy­age togeth­er and take on their first universe-threatening mad alien.

A very grumpy Romulan miner (Eric Bana) dis­cov­ers the secret of cre­at­ing worm­holes and uses it travel back in time to wreak revenge on Spock – the age­ing Ambassador (a frail look­ing Leonard Nimoy) who failed to pre­vent the destruc­tion of his home plan­et. His revenge will take the form of des­troy­ing Spock’s home plan­ets of Vulcan and Earth while the trapped old man is forced to watch. Luckily for the uni­verse (but too late for the people of Vulcan) the hot headed cadet Kirk (Chris Pine) and the young Spock (Zachary Quinto, known in some circles as Hot Spock) are able to save the day and forge a legendary friend­ship at the same time.

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