All over the world it is volunteer organisations like the Wellington Film Society that keep the flame of film art alive so that cinephiliacs like me can get a decent palate cleanser every Monday night after a weekend of Hollywood tosh.
I can’t recommend Society membership highly enough. Your membership fee equates to around three bucks a screening (33 Mondays!) and your membership gets you enough discounts (at the Film Festival and participating cinemas) that it doesn’t take long to pay for itself.
This year’s programme has many highlights. The French and German seasons (supported by the French Embassy and the Goethe Institute respectively) are always interesting. This year: a tribute to the luminous movie star Isabelle Huppert and a couple of classic crime flicks; three east German documentaries as well as a chance to see two very early German productions by the great Hollywood stylist Ernst Lubitsch (his classic The Shop Around the Corner, which was remade in 1998 as You’ve Got Mail, also screens).
There are opportunities to see some recent classics on the big screen once again: Terrence Malick’s The New World didn’t even get a cinema release in NZ and has found a reputation only on home video; Sokurov’s spectacular Russian Ark is a must-see; Sotishi’s animated psychodrama Millennium Actress; Barry Barclay’s Ngati – the list goes on.
And of course there are the big screen masterpieces – this year we have Rossellini’s Journey in Italy starring Ingrid Bergman, the Japanese classic Sansho the Bailiff and the irrepressible Singin’ in the Rain – arguably the most joyous 103 minutes ever committed to celluloid.
The first screening is tonight – a sneak preview of the new Bill Murray/Robert Duvall comedy Get Low – and henceforward every Monday until November 28 (interrupted only by public holidays and other festivals).
While I’m encouraging you to start organising your diaries it is worth noting that, due to the Rugby World Cup and the accompanying changes to school holidays, this year’s Wellington Film Festival is two weeks later than usual: July 29 to August 14. Book that annual leave now.
Printed (in shorter form) in Wellington’s Capital Times on Wednesday 9 March, 2011.
What did you think of Get Low? It didn’t impress me, but Robert Duvall certainly shines.
Looking forward to see Isabelle Huppert’s movies. I adore her ‑specially when directed by M. Haneke.
I have to review Get Low later but my first thoughts were that Murray, Duvall and Lucas Black were great (and Cobbs) and the script gave them plenty toto work with – which was what it needed to do.
The film looked good through the new Paramount projectors but second half was a little out of focus, I thought.
Are you going to review Malick’s A new world? I’d like to hear your thoughts.
Super-busy at the moment. I do want to talk about The New World but I think I’m going to wait until I’ve seen the Director’s Cut which is 40-odd minutes longer than the one we saw on Monday.
That one seemed (as it did to me at the Festival in 07?) a little rushed at the end and a little disjointed. I’m hoping that Malick’s version fixes those problems.
Stone cold masterpiece, all the same.