Existence (Bergh, 2012)

I mentioned this in passing the other day (in the Magic Mike recommendation on 1 August) and now that I have confirmed its availability I can bring it to you here.
Back in the early 2010s, the New Zealand Film Commission had a programme to make a series of low budget films (around $250k) called Escalator and Existence was one of the films that actually got completed and screened.
Other Escalator films that made a splash included Sophie Henderson’s Fantail and another previous recommendation here, Housebound (Gerard Johnstone).
In a bleak and windswept environment, high in the hills surrounded by forbidding wind turbines, a ragged band of outcasts work tirelessy together to make something out of almost nothing. They are resourceful and determined – battling extreme conditions and overcoming impossible odds. I’m talking about the characters in new Wellington feature film Existence which gets its première in Wellington on Friday night, but I might as well be describing the filmmakers themselves who shot the film in the hills around Belmont and Makara in 2011. Existence is the first product of the NZ Film Commission’s low budget Escalator programme and is a testament to the depth of talent in the industry here.
Set in a future where environmental disaster has doomed the remaining population to live off scraps – and where a fence guarded by mysterious “riders” promises a better future on the other side – Existence focuses on one woman (played by Loren Taylor from Eagle vs. Shark) and the sacrifice that she is prepared to make for a better life for her family. Existence is an arthouse movie in genre clothing. Writer-director Juliet Bergh has her cast underplaying when they could have chosen to chew scenery – and the film is the better for it. Matthew Sunderland – as one of the riders – is particularly effective, the stillness of his performance allowing the audience to read so much into the crags and lines in his face.
I should probably acknowledge a tiny conflict. I am a friend of the co-producer of the film, Melissa Dodds, and back in the day put together the website for the film, existence.co.nz.
In fact, I still host it so if you click that link, you’ll be getting a twelve-year-old website sent to you from the loft of my house in Silverstream. As is the original Funerals & Snakes website, where this review is archived.
Where to watch Existence
Aotearoa: Streaming on Prime Video or digital rental from NZ Film On Demand (the NZ Film Commission)
Australia, Canada, Ireland, UK: Digital rental from Apple
USA: Streaming on Roku (free with ads) or Reveel (a free streamer that is new to me but says it is available worldwide)