Imagine my sur­prise to dis­cov­er that I haven’t shared my February RNZ review of Mona Fastvold’s strange and bril­liant The Testament of Ann Lee. Admittedly, I was in hos­pit­al for a couple of nights on the week­end it landed in cinemas but still, it’s an over­sight I am happy to correct.

It’s a bio­graphy of a cha­ris­mat­ic woman who – after peri­ods of mis­treat­ment at the hands of the 18th cen­tury English pat­ri­archy – chan­nels her faith into the cre­ation of a new reli­gious sect and then leaves for the New World of the Americas, where she believes her ideas will thrive.

Lots of the reviews of the film focus on the remark­able per­form­ance from Amanda Seyfried as Ann – opin­ions with which I’m happy to con­cur – but my review was more about the ideas: the ideas behind the film and the ideas behind the Shakers’ ver­sion of Christianity.

Unlike many churches, the Shakers appear to have restric­ted their com­munity out­reach to recruit­ment. They didn’t appear to have a cul­ture of ser­vice, for example. They star­ted no orphan­ages or hos­pit­als and, like the Amish, were focused inwards. But made beau­ti­ful build­ings, fur­niture, gar­dens – and coffins.

Fastvold, her­self, makes such inter­est­ing choices. The phys­ic­al and vocal expres­sions of devo­tion that the Shakers were known for are presen­ted as much more cho­reo­graphed (by Celia Rowlson-Hall, music by Daniel Blumberg) than spon­tan­eous, but mak­ing the film an actu­al music­al serves to rein­force its own theme.

After all, believ­ing in the truth of all that singing and dan­cing in front of you requires an audi­ence to take a sim­il­ar leap of faith as the Shakers themselves.

You won’t find many more inter­est­ing new films this year, I’m sure.


Where to watch The Testament of Ann Lee

Aotearoa, Australia, Canada, Ireland & UK: Streaming on Disney+

India: Streaming on Hotstar

USA: Streaming on Disney+ or Hulu

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