Of all directors currently working in the Hollywood mainstream Michael Mann is arguably the greatest stylist. No one at the multiplex has more control of the pure aesthetics of filmmaking,…
Setting a new and alarming paradigm for having too much time on one's hands, some clod has decided, in the tradition of Fake Armond White, to do an impersonation of…
Two weeks of blog carnage later, here's the sit-rep: Funerals & Snakes is limping along at www.miracle-pictures.com/funerals_and_snakes/ Most of the images are intact but they don't appear consistently and don't…
The thrilling tale of Jeffrey Wells and the snoring guy (there he is at right; my caption would have been, "Man, SImon Pegg has really let himself go!"); advice on…
Okay, it's "too soon," and yeah, I'm a bit tired, but, still...here's my Facebook page update as of now: "Resnais' Wild Grass is a whacked-out masterpiece with an ending worthy…
A rare moment of reprieve, a fleeting evocation of a particular mode of lyricism, from Alain Resnais' Muriel, ou les temps d'un retour, 1963. Viewed in advance of a New…