In the amusingly mis-named German Democratic Republic, during the last years before the Berlin Wall fell and Germany was re-unified, the people were monitored for idealogical and political purity by the Stasi, or Secret Police. Astonishingly, there were 90,000 officers in the Stasi and hundreds of thousands more were paid informants, keeping themselves out of jail or settling old scores. A deeply paranoid political élite learnt its philosophies and its practice from the Nazis they had overthrown and an ill-timed joke could see the end of a career or the start of a spell in solitary confinement.
The awfulness and absurdity of the situation is brilliantly painted in Florian Henckel von Donnersmarck’s thriller The Lives of Others, the best Foreign Film Oscar-winner in years. Set in the late 1980’s, as even the most loyal of state servants and patriots are losing their faith, state-sanctioned playwright Dreyman, played by Sebastian Koch, is shaken by the suicide of his black-listed director, Jerska. He writes an article on suicide statistics in the GDR to be smuggled out to the West, not realising that his flat is being monitored 24/7 by the Stasi. Luckily, his main voyeur (Wiesler, a lovely performance by Ulrich Mühe) is having complex second thoughts of his own.
If, like David Fincher, you were growing up in Northern California during the early 70’s you, too, might have become fascinated and obsessed by the mysterious publicity-troll serial killer known as Zodiac. Now Fincher has turned that fascination in to a solidly constructed but overlong history of the failed efforts to identify Zodiac and bring him to justice called, with typical imagination, Zodiac.
Altogether more successful serial-killer sleuths are on display in Woody Allen’s new UK-based production Scoop. Scarlet Johansson plays Sondra Pransky, journalism student on holiday in London. At a magic show (Allen himself is The Great Splendini) she is visited by the ghost of gruff old Fleet Street hack Joe Strombel (Ian McShane) who gives her a tip: Eligible rich boy Peter Lyman (Hugh Jackman) is the infamous Tarot Card Killer and she has to reveal the truth and get the scoop of the decade.
Finally, in a quiet week, late night tv spin-off Reno 911!: Miami is about as funny as someone standing on your corn (an image drawn directly from life, ladies and gentlemen).
One of the benefits of a marginally-classical education is that when someone makes a film about King Leonidas and The Battle of Thermopylae I have a vague idea what they’re on about before I go in but nothing could prepare me for the sheer visceral “total” film-making on display in Zack Snyder’s extraordinary 
Fresh from the Showcase, 
In the initially bewildering 
Meanwhile, 
Finally a couple of disposable items for the school holidays: 
Much more entertaining is Disney’s