Near the end of 1979, the new hardline rulers of Iran – incensed by the US government’s support for the previous despot – stormed the embassy in Teheran and held the occupants hostage for over a year, long enough to wreck President Jimmy Carter’s attempt at re-election and to define American relations with the Persian Gulf for another thirty years. That side of the story is relatively well-known. The secret story of the six embassy staff who escaped, hid in the Canadian ambassador’s house, and were then spirited out of the country disguised as a Hollywood film crew? Not so much.
Thanks to the recent declassification of the CIA and State Department files, the weird and wonderful story of Argo can be told, and – this being a Hollywood story about a Hollywood story – it gets a bit of a punch-up to make sure none of the entertainment potential is wasted. So now, Argo is “inspired by a true story” rather than “based on a true story” and it is also the smartest and most entertaining Hollywood picture for grown-ups this year.
Every so often a film comes along that fits so squarely and neatly inside one’s own personal set of interests and enthusiasms that it is impossible to be objective about it. I try and keep my work here disinterested and arms’ length – clinical, if you will – but, y’know, I’m only human. Just so you know. With that disclaimer out of the way, then, here’s my review of 