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Review: Soul Kitchen, Step Up 3, Killers and a couple more ...

By Cinema, Reviews

Soul Kitchen posterTurkish-German dir­ect­or Fatih Akin has long been an art­house favour­ite around these parts. Head-On (2004) and The Edge of Heaven (2007) were Festival suc­cesses so it was odd to see his new film Soul Kitchen skip this year’s event and go straight to gen­er­al release. On view­ing it’s easy to see why. Akin has gone com­mer­cial and Soul Kitchen is as broad a com­edy as you’ll find out­side the big chains – sadly I have to report that Akin’s film doesn’t sit com­fort­ably in that territory.

Zinos (Adam Bousdoukos) runs a greasy spoon café called the Soul Kitchen in a run­down part of old Hamburg. He’s not much of a cook or a busi­ness­man but his loy­al cus­tom­ers seem to like it. Thrown into a tizzy by a com­bin­a­tion of his girlfriend’s move to China, a very bad back, the tax depart­ment, his dead­beat broth­er (Moritz Bleibtreu) on day release from pris­on and an old school friend with an eye on his real estate, Zinos tries to nav­ig­ate his way through a rap­idly deteri­or­at­ing situ­ation with only a geni­us new chef and some loy­al but eas­ily dis­trac­ted staff.

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Review: U2 3D, Nim’s Island, Street Kings, St. Trinian’s, College Road Trip, Hunting & Gathering, Blindsight, I Have Never Forgotten You and The Real Dirt on Farmer John

By Cinema, Conflict of Interest, Reviews

Earlier this year I arbit­rar­ily decided that the Hannah Montana 3D con­cert movie was not cinema and chose not to review it. Now, a few short weeks later, I exer­cise my right to indulge in rank hypo­crisy by stat­ing that the U2 3D con­cert movie is cinema and, thus, belongs in this column. Pieced togeth­er from con­certs in soc­cer sta­dia across Latin America (plus one without an audi­ence for close-ups), U2 3D is an amaz­ing exper­i­ence and truly must be seen to be believed.

I hadn’t expec­ted the new digit­al 3D medi­um to be used so expertly so soon but cre­at­ors Catherine Owens and Mark Pellington have man­aged to make the entire sta­di­um space mani­fest with float­ing cam­er­as and intel­li­gently layered digit­al cross-fading, giv­ing you a con­cert (and cinema) exper­i­ence that can not be ima­gined any oth­er way. Even if you are not a U2 fan this film deserves to be seen as an example of the poten­tial of 3D to trans­form the medium.

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