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peter fonda

Review: The Skin I Live In, Martha Marcy May Marlene and Ghost Rider- Spirit of Vengeance

By Cinema and Reviews

The Skin I Live In posterAnyone won­der­ing wheth­er the great Pedro Almodóvar had lost some of his edge at the ripe old age of 62 should imme­di­ately check out his new film The Skin I Live In which is as deranged as any­thing else he has pro­duced in more than thirty years of fea­ture film mak­ing. Puss In Boots him­self, Antonio Banderas, plays a suc­cess­ful plastic sur­geon with a dark secret. Many of his greatest med­ic­al achieve­ments are a res­ult of the exper­i­ments he con­ducts on a beau­ti­ful woman (Elena Anaya) held cap­tive in his mansion.

Who is she? Why is she there? These ques­tions are answered in the film but have to be skir­ted around here for even the tini­est hint at spoil­ers will wreck some of the twisti­est (in all senses of the word except per­haps con­fec­tion­ary) sur­prises you will exper­i­ence all year. It’s enough to say that if this film had been made in the 1950s then Banderas’ char­ac­ter would have been played by Vincent Price (think House of Wax) and that every­one involved would have been run out of town by the authorities.

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Review: Black Sheep and five more ...

By Cinema, Conflict of Interest and Reviews

This week’s Capital Times film review, fea­tur­ing illus­tra­tions and links: Black Sheep (Jonathan King); Ghost Rider (Mark Steven Johnson); The Road to Guantanamo (Michael Winterbottom & Mat Whitecross) and in advance of the World Cinema Showcase, Dans Paris (Christophe Honoré); Suburban Mayhem (Paul Goldman) and Habana Blues (Benito Zambrano).

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