Skip to main content
Tag

robert redford Archives - Funerals & Snakes

Cinematica 4/04: Young at Heart

By Audio and Cinema

Cinematica_iTunes_200_crop[iframe style=“border:none” src=“http://html5-player.libsyn.com/embed/episode/id/2314978/height/100/width/280/thumbnail/yes/theme/standard” height=“100” width=“280” scrolling=“no”]

Robert Redford is back in the world of political thrillers in The Company You Keep, Beth Brash from eatandgreet.co.nz helps review Haute Cuisine and Dan interviews Pietra Brettkelly, director of the New Zealand doco Maori Boy Genius.

Check out this episode

Review: The Company You Keep, Rebelle (War Witch), Haute Cuisine, Antiviral and Jurassic Park 3D

By Cinema and Reviews

_DSC1577.NEF It’s easy to laugh at ageing movie stars. Crumbs, when they make films like The Expendables they actively encourage us to make jokes about creaking joints and dicky hips. But let us pause for a moment and salute the longevity of one of the greatest movie stars there ever was, someone who was headlining box office smash hits when Arnold was still just pumping iron and Bruce was still at High School.

The Company You Keep posterRobert Redford — the “Sundance Kid” — is 76 years old and in his new film, The Company You Keep, he does quite a bit of running around even though you can see he has the slightly uncertain gait of someone whose balance isn’t what it was. He rations out that million dollar smile pretty carefully too, as this is another of his serious politically-aware dramas — couched in the form of a thriller.

Read More

Review: Bridesmaids, Green Lantern, Russian Snark, Mammoth and The Conspirator

By Cinema and Reviews

Bridesmaids posterAfter years of auteur theory we have become conditioned to describe films as products of their director and so in my first draft of this review I started off talking about Paul Feig’s Bridesmaids. But it isn’t really Paul Feig’s Bridesmaids, it’s Kristen Wiig’s Bridesmaids. She co-wrote it (with Annie Mumolo), co-produced it and stars in it as Annie, a thirty-something single woman living in Milwaukee, having a hard time of things (but a comedy hard time of things, this isn’t Down to the Bone or something from Romania).

Still, she’s lost all her money in a failed baking business (blamed on the economy not her marvellous cakes), she’s flatting with two awful English siblings who have no idea of boundaries and her best friend (Maya Rudolph from Away We Go) is getting married while she is in an entirely unsatisfactory ‘friends with benefits’ arrangement with douche Jon Hamm.

Read More

Review: We’re Here To Help, Control, The Last Trapper, 1408, Lions for Lambs and Death Proof

By Cinema, Conflict of Interest and Reviews

We're Here to Help stillIn 1993 Christchurch property developer Dave Henderson tried to get a GST refund on a project he was working on in Lower Hutt. When the IRD officer sexually harassed his partner, Dave threatened to kick him “half way down Cashel Street”. It turned out the IRD were the wrong people to threaten and the hell unleashed is entirely in the other direction. After years of audits, prosecutions and bankruptcies it took intervention from the heroic Rodney Hide to finally put a stop to the abuse.

We’re Here to Help will look right at home on television when it eventually appears (the IRD reception area looks like the old Shortland Street set) but if you go now you’ll have plenty to talk about at your summer barbecues.

There’s a lot to like about We’re Here to Help, particularly seeing experienced New Zealand actors like John Leigh and Stephen Papps given some freedom to play (and lead Erik Thomson is an effortless everyman) but the film gets terribly strange when Michael Hurst turns up dressed in a a fat suit to play Hide. He’s totally miscast and it becomes a completely different film (something by Jim Henson perhaps) when he is onscreen.

Have the IRD changed their ways? It has been argued that the unpleasantness served up to Henderson had its roots in an insular Christchurch business community but I know that several people connected to the production were very wary of potential IRD retaliation over the film and the fact that Producer John Barnett is currently being audited may not be an innocent coincidence.

Control posterIan Curtis, Macclesfield’s matchless purveyor of un-listenable dirges, gets the big screen biopic treatment in Control. It’s a handsome production with some fine performances (not least from newcomer Sam Riley as Curtis); the actors playing Joy Division recreate the music with distressing accuracy and director Anton Corbijn employs the most effective use of black and white photography since Raging Bull.

The Last Trapper posterDog-sledding seems like a desperately uncertain method of transportation in The Last Trapper. Canadian hunter and wilderness veteran Norman Winther seems to spend most of his time tipping over, falling into frozen lakes, down ravines and tangling himself up with the dogs. Winther plays himself but it isn’t a documentary (although I’m sure there are grains of truth in each recreation). My recommendation would be to stick your fingers in your ears to ignore the clunky dialogue and poor dubbing and concentrate on the beautiful Yukonic visuals.

1408 posterBack in 1983 Stephen King gave us a haunted car in Christine. Now, 24 years later he has come up with a haunted hotel room in 1408. Rumours that his next project will be about a haunted shopping trolley are pure speculation on my part. As for 1408, there are few surprises on offer and, apart from the always watchable John Cusack, it really did nothing for me.

Lions for Lambs posterHere in New Zealand Robert Redford’s patronising political science exercise Lions for Lambs seems so much like preaching to the choir but it would interesting to see it with a different audience, one for whom the simplistic history and ethics lessons on offer are fresh and inspiring. On second thoufghts I don’t think that audience exists. Tom Cruise plays ambitious Republican senator Jasper Irving, trying to manipulate credulous reporter Meryl Streep into promoting the latest random military surge in Afghanistan. Meanwhile, in Afghanistan the surge itself has started badly and in California Pol-Sci professor Redford is trying to convince one last student to devote himself to selfless public service instead of easy money and a quiet life.

Death Proof posterFinally, Quentin Tarantino’s Death Proof is pure cinematic entertainment — an expertly constructed throwaway tribute to the cheap thrills of the 70s. Awesome Kurt Russell plays Stuntman Mike, a nasty piece of work who use his souped up “death proof” Chevy Nova to wreak havoc on two groups of young women. Luckily for the second bunch, they have kiwi stuntwoman Zoe Bell (Kill Bill) in the team and the ability to fight back. I came out of Death Proof grinning from ear to ear.

Printed in Wellington’s Capital Times on Wednesday 14 November, 2007.

Nature of Conflict: John Leigh, Stephen Papps and several other members of the cast of We’re Here To Help are great mates of long standing. And Erik Thomson is a cousin.