Skip to main content
search
Tag

stephen merchant

Feb 16 2011
Love0

Review: 127 Hours, Gnomeo & Juliet, No Strings Attached and Fair Game

By Cinema and Reviews

Danny Boyle’s Slumdog Millionaire was my film of the year for 2009 – a potent and punchy roller-coaster ride of a film that made everything for months after­wards seem quaintly old-fashioned. His new film, 127 Hours, doesn’t break the mould to quite the same degree but does fea­ture sim­il­ar styl­ist­ic effects: mess­ing with time and struc­ture, split-screens, dom­in­eer­ing soundtrack, etc.

The new film is also an adapt­a­tion of pre­vi­ously exist­ing mater­i­al, Aron Ralston’s mem­oir “Between a Rock and a Hard Place”, and once again Boyle has col­lab­or­ated with screen­writer Simon Beaufoy (notori­ous in New Zealand for The Full Monty). Ralston (played by James Franco) was an engin­eer by trade but an out­doors­man by inclin­a­tion and he loved to roam the Utah canyons on bike and on foot. In 2003 he fall into a nar­row rav­ine and his right arm was trapped by a boulder. He was there for five days before real­ising that the only way he was going to walk out was if he left the arm behind.

Read More

Dec 30 2010
Love0

Review: Shrek Forever After, Cemetery Junction & Gentlemen Broncos

By Cinema and Reviews

Shrek Forever After posterLovable ogre Shrek (Mike Myers) is hav­ing a bad day. Instead of being a ter­ri­fy­ing bring­er of fear and bad smells, he is a mild-mannered fath­er of triplets and pil­lar of the Far, Far Away com­munity and it’s get­ting him down. After one par­tic­u­larly stress­ful morn­ing involving birth­day cakes, fan requests (“Do the roar!”) and oth­er assor­ted minor niggles prompts him to sug­gest that he might’ve been bet­ter off not res­cuing the lovely Fiona (Cameron Diaz) from the tower all those years ago.

This is over­heard by the most dan­ger­ous leg­al mind in the area, Rumpelstiltskin, who imme­di­ately draws up a dodgy con­tract to give Shrek exactly what he wants. Shrek’s day is about to go from being a bad one to being his last one.

Read More

Dec 06 2009
Love0

Review: The Invention of Lying, Jennifer’s Body, Cloudy With a Chance of Meatballs, Looking for Eric, Summer Hours, Valentino- The Last Emperor and Mary & Max

By Cinema, paramount and Reviews

This past week may have been the most con­sist­ently sat­is­fy­ing week of cinema-going since I star­ted this jour­ney with you back in 2006: sev­en very dif­fer­ent films, all with some­thing to offer. And no tur­keys this week, so I’ll have to put the acid away until next week.

In com­pletely arbit­rary order (of view­ing in fact), let’s take a look at them. In The Invention of Lying British com­ic Ricky Gervais dir­ects his first big screen film (work­ing without the cre­at­ive sup­port of usu­al part­ner Stephen Merchant) and it turns out to be a little bit more ambi­tious than most Hollywood rom-coms. In a world where no one has any con­cep­tion of “untruth”, where the entire pop­u­la­tion makes each oth­er miser­able by say­ing exactly how they feel all the time and where there is no storytelling or fic­tion to give people an escape, Gervais’ char­ac­ter dis­cov­ers he has the abil­ity to say things that aren’t true and is treated as a Messiah-figure as a res­ult. Everything he says, no mat­ter how out­land­ish, is believed but he still can’t win the love of the beau­ti­ful Jennifer Garner.

Gervais is solidly funny through­out, and demon­strates even more of the depth as an act­or that he hin­ted at in Ghost Town last year, but the dir­ec­tion is uneven – per­haps because both Gervais and co-writer-director Matthew Robinson are first-timers.

Read More

Close Menu