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steven seagal

Review: The American, The Disappearance of Alice Creed, Let Me In, Due Date and Machete

By Cinema and Reviews

I got some feed­back on this column the oth­er day. Apparently I “write well” but I “don’t like much”. Perhaps I am a little jaded after four and a half years in these pages but I am pleased to report that this week­end I saw five films on your behalf and enjoyed all of them. Yes, all of them.

In the first scene of The American, George Clooney does some­thing so un-Clooney-like that audi­ence mem­bers beside me aud­ibly gasped. He plays a hit-man who might be called Jack or Edward but is prob­ably neither.

After nar­rowly escap­ing an attempt on his own life he holes up in pic­tur­esque Castel del Monte in the moun­tains of cent­ral Italy. As a single-minded pro­fes­sion­al with no ties, Jack could be the broth­er of Clooney’s cor­por­ate assas­sin in Up in the Air and like that film it takes unex­pec­ted feel­ings for a beau­ti­ful woman to make him real­ise how empty his life is.

Directed by fam­ous pho­to­graph­er Anton Corbijn (The Joshua Tree etc), every frame of The American is lus­cious and per­fectly com­posed, Mr. Clooney makes this stuff look easy and if you’re in the mar­ket for a qual­ity Euro-art-house Bourne-type thrill­er then look no further.

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Review: The Expendables, Tomorrow When the War Began, It’s a Wonderful Afterlife, Going the Distance, Exit Through the Gift Shop, Joan Rivers- A Piece of Work, Beyond Ipanema and Jean Charles

By Cinema and Reviews

The Expendables posterAs the great 80s action her­oes passed their respect­ive peaks and drif­ted down the oth­er side towards irrel­ev­ancy (or ego-centric fool­ish­ness) those of us that cared about these things were on the lookout for the next gen­er­a­tion. Who was going to replace Stallone, Willis and Schwarzenegger (not to men­tion the subs bench: Van Damme, Seagal and Norris)? For a while I thought that The Rock was going to be a worthy bear­er of the chains of office but he changed his name back to Dwayne and star­ted mak­ing (fun) films for kids instead.

Now we get out answer. Stallone has gathered all his action hero mates togeth­er for one last hur­rah, anoin­ted his suc­cessor and the res­ult may sur­prise you. Yes, the torch has offi­cially been passed to former Olympic diver and gruff voiced cock­ney oik Jason Statham who plays Stallone’s num­ber two in The Expendables, a big noisy, old-fashioned, romp through explo­sions, wise­cracks, Latin American dic­tat­ors and bent CIA agents. No cliché is left out and The Expendables pro­vokes more nos­tal­gia than adrenaline.

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Review: Terminator Salvation, Love the Beast, Fugitive Pieces, JCVD and In Search of a Midnight Kiss

By Cinema and Reviews

Terminator Salvation poster’Tis the sea­son to reboot tired fran­chises and this week we get an explos­ive new look at James Cameron’s beloved Terminator. Set only nine years in the future (when open-air bat­tle­field heart trans­plants will be de rigeur dur­ing la guerre), the Judgement Day of T2 has des­troyed most of the West Coast of the USA and only a hardy band of ill-equipped rebels are keep­ing the mon­strous Skynet at bay.

John Connor, proph­esied future saviour of the human race, is a only a sol­dier in the rebel army but his reg­u­lar radio broad­casts bring hope to the scattered, ragtag freedom-fighters. In a battle to res­cue some human pris­on­ers his entire squad is killed – but he does man­age to release the mys­ter­i­ous Marcus Wright (Aussie boof­head Sam Worthington) who may hold the key to the defeat of the machines.

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