Dan and Kailey are joined by president of the Wellington Film SocietyChris Hormann to talk about this year’s programme (mostly shared with the rest of the country), the importance of film societies in a world where theatrical presentation is becoming rare for arthouse films. The trio also discuss current releases The Second Best Exotic Marigold Hotel, Jupiter Ascending, Focus and others.
Michael Winterbottom’s The Trip is the best picture about middle-aged male angst since Sideways, and it’s possibly even better than that fine film. Two privileged English celebrities spend a week driving around the North of England from one fine restaurant to another, eating and drinking themselves silly on someone else’s dime. And yet, something darker is up.
Self-absorbed “Steve Coogan” (Steve Coogan) is separated from his girlfriend, distanced from his children, desperate for recognition as a serious actor but all too often welcomed by strangers with a warm-hearted but annoying repetition of his great TV catchphrase (Alan Partridge’s “Ah-ha”). On the surface, “Rob Brydon” (Rob Brydon) is a happily married man with a young child, a moderately successful TV and stand-up career but, as Coogan points out in a pathos-ridden trip the ruined Bolton Abbey, there’s something about Brydon’s neverending celebrity impressions and forced bonhomie that suggests he hasn’t quite got to grips with the real world.
The wonderful Nellie McKay chats with the legendary Eartha Kitt for something called Harp (by the way Nellie just reviewed “Great Pretenders: My Strange Love Affair With ’50s Pop Music” by Karen Schoemer for the New York Times but that may already be behind their pay-wall);
George Bush learns to play cricket in Pakistan with Inzamam Ul Haq (who seems to have borrowed my beard). This is about the most engaged I have ever seen the man, perhaps he should try and run America while dodging bouncers.
There, all of these are weeks late but none the worse for that I shouldn’t wonder.