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winter's bone

Review: The Sessions, Arbitrage, Bait 3D and (regrettably) Alex Cross

By Cinema and Reviews

The Sessions posterBen Lewin’s The Sessions is a very rare beast – an American film that por­trays human sexu­al­ity with hon­esty, sens­it­iv­ity and no hint of pruri­ence. (Actually, writer-director Lewin is a Polish emigré who grew up in Australia and – after a brief career as a bar­ris­ter – went to England in 1971 to make tele­vi­sion, so maybe it isn’t all that American.)

Poet Mark O’Brien was crippled with polio as a child and forced to spend more than 20 hours a day in an iron lung, prac­tising his craft with a pen­cil held between his teeth, rely­ing on care­givers for – almost – every import­ant bod­ily func­tion. Although he spent his life hori­zont­al he wasn’t para­lysed and he could still feel everything that was done to his body – a fact that a pretty nurse giv­ing him his daily wash could prob­ably testi­fy to… As a red-blooded American male in his 30s, his head could get turned by a shapely fig­ure even though his inex­per­i­ence and dis­ab­il­ity meant he was totally lack­ing in romantic confidence.

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Review: The Hunger Games, The Best Exotic Marigold Hotel, The Hunter, 21 Jump Street, The Raid and In Search of Haydn

By Cinema and Reviews

Hunger Games posterOf all the massively suc­cess­ful fran­chise con­ver­sions from best-selling-books-that-I-haven’t‑read, I’m pleased to say that I like this Hunger Games film the best. I’ve been jus­ti­fi­ably scorn­ful of the Harry Potter films in these pages and down­right dis­dain­ful of Twilight but – while still not reach­ing out much to me per­son­ally – I can say that Hunger Games actu­ally suc­ceeds much more on its own cine­mat­ic terms.

Jennifer Lawrence basic­ally repeats her Academy Award-nominated turn from Winter’s Bone as a plucky Appalachian teen forced to risk everything to pro­tect her young sis­ter while her trau­mat­ised moth­er remains basic­ally use­less. In this film, though, the enemy isn’t tooth­less meth deal­ers but the full force of a fas­cist state where the 99% is enslaved in vari­ous “dis­tricts” and forced to pro­duce whatever the dec­ad­ent 1% back in Capitol City require in order to keep them in their Klaus Nomi-inspired makeup and hair.

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Review: The Skin I Live In, Martha Marcy May Marlene and Ghost Rider- Spirit of Vengeance

By Cinema and Reviews

The Skin I Live In posterAnyone won­der­ing wheth­er the great Pedro Almodóvar had lost some of his edge at the ripe old age of 62 should imme­di­ately check out his new film The Skin I Live In which is as deranged as any­thing else he has pro­duced in more than thirty years of fea­ture film mak­ing. Puss In Boots him­self, Antonio Banderas, plays a suc­cess­ful plastic sur­geon with a dark secret. Many of his greatest med­ic­al achieve­ments are a res­ult of the exper­i­ments he con­ducts on a beau­ti­ful woman (Elena Anaya) held cap­tive in his mansion.

Who is she? Why is she there? These ques­tions are answered in the film but have to be skir­ted around here for even the tini­est hint at spoil­ers will wreck some of the twisti­est (in all senses of the word except per­haps con­fec­tion­ary) sur­prises you will exper­i­ence all year. It’s enough to say that if this film had been made in the 1950s then Banderas’ char­ac­ter would have been played by Vincent Price (think House of Wax) and that every­one involved would have been run out of town by the authorities.

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Review: X-Men: First Class, Pirates of the Caribbean: On Stranger Tides

By Cinema and Reviews

We’re at that time of year when the big stu­di­os role out block­buster after block­buster so that Americans look­ing to escape the stifling heat will choose to find com­fort in cinema air-conditioning and we in New Zealand hope that the cinemas are warm­er than our lounge rooms.

Apart from the Spielberg/Abrams col­lab­or­a­tion Super 8 (next week, folks) all of the big­gies this sea­son are either sequels or com­ic book adapt­a­tions, demon­strat­ing that des­pite all indic­a­tions the bot­tom of the bar­rel hasn’t quite been scraped yet.

X-Men: Furst Class posterAfter three X‑Men films and a hor­rendous Wolverine spin-off Marvel/Fox have gone back to the begin­ning in the now tra­di­tion­al fran­chise re-boot strategy per­fec­ted by Batman and stuffed up com­pletely by Bryan Singer with Superman Returns.

It’s 1962 and the Cold War is heat­ing up. In Oxford a smarmy super-intelligent booze-hound (James McAvoy) is scor­ing with girls thanks to his abil­ity to read minds. The CIA asks him for some help unrav­el­ling the mys­tery of some unex­plained phe­nom­ena in Las Vegas and is per­turbed to dis­cov­er they get his freaky mind con­trol powers as well as his ana­lys­is – and his “sis­ter” Raven (Jennifer Lawrence from Winter’s Bone) who has the abil­ity to change shape at will.

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2010 Wellington Cinema Year in Review

By Cinema

So, after trawl­ing through the many thou­sands of words writ­ten about cinema in these pages this year, I sup­pose you want me to come to some con­clu­sions? Do some “sum­ming up”? Help guide you through the great video store of life? Well, alright then. Here goes.

We don’t do Top Ten lists here at the Capital Times – they are reduct­ive, facile and, frankly, you have to leave too many titles out. I have taken to divid­ing my year’s view­ing up into cat­egor­ies: keep­ers are films I want to have in my home and watch whenev­er the mood takes me; renters are the films that I could hap­pily watch again; then there are the films that I enjoyed but am in no hurry to repeat, the films I might have mis­judged first time around, the films I can’t get out of my head (for bet­ter or worse), the films I am sup­posed to love but you know, meh, and most import­ant of all – the films you should avoid as if your very life depends upon it.

First, the keep­ers: a sur­prise for some will be Fantastic Mr. Fox which was released after my 2009 Year in Review was sub­mit­ted and the only film in the list that I already own. Animal Kingdom was the film I most recom­men­ded this year – a stun­ning, tense piece of work that gripped me totally.

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Review: Winter’s Bone, Red, Made in Dagenham, Paranormal Activity 2, Resident Evil- Afterlife and I’m Still Here

By Cinema and Reviews

Winter's Bone posterHalf way through Winter’s Bone I found myself think­ing, “So, this is what the Western has become?” The best Westerns are about find­ing or sus­tain­ing a mor­al path though a law­less fron­ti­er and the fron­ti­er in Winter’s Bone is the hid­den world of the rur­al poor and the path is a strange and ter­ri­fy­ing one.

In the rough and remote Ozark Mountains, teen­age Ree Dolly (Jennifer Lawrence) is single-handedly bring­ing up her two young sib­lings while caring for her emo­tion­ally dam­aged moth­er. One cold morn­ing the Sheriff turns up with the news that her fath­er, Jessup, used their house as his bail bond and unless Ree can find him and per­suade him to turn up for Court, the fam­ily will lose everything.

Jessup is (or maybe was) what we would call a ‘P’ deal­er – the only eco­nomy in the area show­ing any kind of growth. But the com­pany he was keep­ing were the mean­est of the mean and to find her fath­er Ree must ven­ture into dan­ger­ous territory.

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