I love it when a film raises the stakes. Done with wit, it can drag you back in to a film you might have been drifting away from. Done with smarts, like Susanne Bier’s Danish drama In a Better World, it can drag you to the edge of your seat.
About two-thirds in to the film there’s an event that forces a central character to confront his own principles – values he has been carefully (and selflessly) teaching his kids – and he has to question whether those principles are really doing him any good in a world that refuses to honour them in return.
The character is Anton (Mikael Persbrandt), a Swedish doctor working in a sub-Saharan refugee camp where – in addition to the usual litany of drought-related problems – he’s patching up pregnant women brutalised by the local warlord. He’s troubled by the circumstances but smug about his role in the aid process. Perhaps he should be paying more attention to back home though, as his oldest son Elias (Markus Rygaard) is being bullied at school and taken under the wing of cold-eyed psychopath Christian (brilliant William Jøhnk Nielsen), grieving the cancer death of his mother and taking his quiet rage out on the world.
Once again the Coen Brothers set a standard for every other film to try and match. 
Secretariat