martin scorsese

Crossfire Hurricane poster

Has any rock group inspired — and paid for — as much cinema as the Rolling Stones? From Jean-Luc Godard’s Sympathy for the Devil to Scorsese’s gilded concert footage for Shine a Light in 2009, the Stones have woven themselves into film history at the same time as they became rock legends. The Maysles Brothers’ …

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The Artist poster

Two of the big three Academy Award contenders this year are about looking back on the early days of cinema itself. While Scorsese’s Hugo uses the latest technical whizzbangs to bring to life the idea of early cinema and its novelty and excitement in The Artist, Michel Hazanavicius recreates the techniques of old Hollywood in […]

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Review: Summer Holiday Roundup (2011/12)

by Dan on January 17, 2012

in Cinema and Reviews

Hugo poster

Time to clear the summer holiday backlog so that the next time it rains you’ll have an idea of what you should go and see. There’s plenty to choose from — for all ages — and there’s a bunch more to come too. Best thing on at the moment is Martin Scorsese’s first “kids” film, Hugo, …

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2010 Wellington Cinema Year in Review

by Dan on January 1, 2011

in Cinema

Animal Kingdom poster

So, after trawling through the many thousands of words written about cinema in these pages this year, I suppose you want me to come to some conclusions? Do some “summing up”? Help guide you through the great video store of life? Well, alright then. Here goes. We don’t do Top Ten lists here at the […]

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Inception poster

I was really enjoying Inception until I woke up. Actually, that’s not true. Unlike my companion, the Sandman didn’t come to rescue me from Christopher Nolan’s bombastic blockbuster and I had to sit through all two and a half hours of it, wondering what all the fuss was about. Leonardo DiCaprio plays a corporate spy who […]

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Shutter Island poster

There’s something very odd about the opening scenes in Shutter Island and it takes the entire film for you to put your finger on it. Shots don’t match between cuts, there’s a stilted quality to the dialogue (too much exposition for a Martin Scorsese movie) and the pacing is off. For a while I found …

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