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werner herzog

Review: Summer Holiday Roundup (2012/13)

By Cinema and Reviews

As I sit here typ­ing, I can hear the sounds of a Wellington sum­mer all around me – the rain pour­ing on to the deck out­side and the wind howl­ing through the trees. Is this why loc­al film dis­trib­ut­ors release so much product over the Christmas/New Year peri­od? Perhaps it’s just cli­mate and noth­ing to do with the Oscars at all? Anyhow, here’s a quick sum­mary of what’s been dished out at loc­al cinemas in des­cend­ing order of greatness.

First up, Ang Lee’s glow­ing 3D adapt­a­tion of Yann Martell’s Life of Pi, storm­ing the loc­al box offices and deservedly so. Ravishing to look at – and mak­ing pro­found rather than nov­elty use of the extra depth avail­able – Lee’s film man­ages to dis­til the essence of the book’s mes­sage even if the ambigu­ous end­ing proves less sat­is­fy­ing cine­mat­ic­ally than lit­er­ar­ily. Dreamy. I was par­tic­u­larly taken by the con­scious recre­ation of the book’s ori­gin­al cov­er in one scene, even to the extent of chan­ging the film’s aspect ratio for that single shot.

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Review: The Three Musketeers, Midnight in Paris, Cave of Forgotten Dreams, Monte Carlo and Tabloid

By Cinema and Reviews

The Three Musketeers posterI don’t know what the French did to be so roundly insul­ted at the movies this week but I’d advise them to steer clear of Wellington cinemas for a while – per­haps until their film fest­iv­al gets under way again next year. Firstly, crass action auteur Paul W.S. Anderson (Resident Evil) attempts to reboot a fran­chise from one of France’s most cher­ished pieces of lit­er­at­ure but then makes The Three Musketeers without a single French per­son appear­ing on screen.

Actually, I’m teas­ing a little as neither the 1993 Charlie Sheen ver­sion or the 1973 Oliver Reed one had any sig­ni­fic­ant French involve­ment, but to pop­u­late the latest film with Danes (Mads Mikkelsen), Austrians (Christoph Waltz), Germans (Til Schweiger) and Ukrainians (Milla Jovovich) does seem a bit on the nose.

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Review: The Bucket List, Jumper, Rescue Dawn, Goodbye Bafana, We Own the Night and Delirious

By Cinema, Conflict of Interest and Reviews

The Bucket List posterThe trail­er for The Bucket List has been play­ing for weeks now, indu­cing groans at every appear­ance. By col­lect­ing a series of Jack Nicholson’s now trade­mark Jack-isms plus Morgan Freeman’s reg­u­lar, twinkly, wise old man schtick and then sprinkled with plenty of schmaltz, the trail­er made me act­ively want to avoid a film that looked like a lame set of sac­char­ine clichés and tired ham act­ing – cyn­ic­al Hollywood at its worst.

I am pleased to report, how­ever, that The Bucket List is a much more enjoy­able film than I was expect­ing. There is some excel­lent work from Nicholson and Freeman who are well coached by dir­ect­or Rob Reiner, with the help of a script by Justin Zackham that has sev­er­al decent moments. Nicholson plays mis­an­throp­ic health tycoon Edward Cole who is dia­gnosed with brain can­cer and forced, due to his own tight-fisted policies, to share a room with car mech­an­ic and lung can­cer patient Freeman. When he dis­cov­ers Freeman has a wish-list of things to do before he dies, he takes it upon him­self to make them come true using the bil­lions he has accu­mu­lated in the cor­rupt American health care sys­tem.

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