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Tuesday Allsorts #1

By February 28, 2006July 14th, 2019No Comments

David Beckham 27 Feb 2006Why is this man smiling? “Er, Victoria, a pigeon’s just crapped on my shoulder.”
Presenting the first of my weekly (weakly?) lists of stuff I’ve stumbled across via the web over the last seven days.

Firstly, it is unlikely that I will be purchasing the new red England away top despite my being a prime candidate (I bought the 2002 reversable version and still wear the blue side). Even though it is un homage to the classic 1966 World Cup winning shirt it’s still too busy for me. What is it with the little white “thing” on the right shoulder and the Umbro logo is as wide and prominent as the three lions? And they have persevered with the tiny gold star which made the last shirt seem like it belonged to the People’s Republic of China. Anyway, on to the interesting stuff:

  • The Guardian talks to Underworld, Ray Davies, Pete Shelley, Richard X, Johnny Marr, Nick Hodgson, Rhymefest, Peter Hook, Tony Hicks, Gary Numan, Ron Mael and KT Tunstall about how some of their signature tunes came to be:

The drum pattern was ripped off from a Donna Summer B‑side. We’d finished the drum pattern and we were really happy, then Steve accidentally kicked out the drum machine lead so we had to start from scratch and it was never as good.” (Peter Hook from New Order talking about “Blue Monday”)

Not only is there a premature gear change after the second chorus, but towards the end of the song there are a further two in a row. They’re so ill-advised that you can hear the nervousness in his wavering voice as he tries to resist each time. All it achieves, though, is the effect of everything going horribly out of tune. I’m not absolutely certain that the word “cacophonic” exists, but that’s the most apt way to sum up this atrocity.”

255. Casting a black Desdemona alongside a black Othello is kind of missing the point a bit.
256. The Montague clan are not aliens. No, really, they’re not.
257. No matter how much homoerotic subtext has been built up over the course of the play, I will not end Richard II by having Henry pull Richard’s dead body out of a pool of water, having him proceed to lie on top of it, and then roll, the one over the other, all over the stage in complete silence until the curtain comes to hide them from the audience’s bleeding eyes.

  • Finally, not only has someone in a feature film got my name, he’s the title character – and this is a film with Bruce Willis and Ben Kingsley! Some people are used to sharing the same name as characters on screen (I know an Anderson and a Harper who must be sick of it) but will be a new experience for me.