Asides

Something to watch tonight: Wednesday 8 May

By May 8, 2024No Comments

King Loser (Dillon/Moore, 2023)

Back in my Capital Times days I made a shabby wise­crack about the state of punk and hard­core music doc­u­ment­ar­ies – “un-watchable films about un-listenable music”.

I admit­ted it was a cheap shot at the time, espe­cially as some of my favour­ite doc­u­ment­ar­ies are – and will con­tin­ue to be – films like A Band Called Death, Anvil, Metal: A Headbanger’s Journey, Lemmy, Flight 666 and American Hardcore.

Since then, there have been not­able New Zealand entries into the can­on: films about the Skeptics, Shihad, Martin Phillipps and the Chills and the closest to today’s recom­mend­a­tion, Swagger of Thieves – Julian Boshier’s film about the unlikely comeback of Wellington band Head Like a Hole.

In 2016, a King Loser return was even less likely. That band that had self-destructed in 1996, and noth­ing about what had happened to them since sug­ges­ted that they were stable enough to carry a short nation­al reunion tour to a suc­cess­ful con­clu­sion. But they gave it a go, fol­lowed by the brave cam­era of Andrew Moore.

King Loser were a – excuse my loose defin­i­tions, I’m not an expert – New Zealand surf-punk band of the early to mid-90s, centred around the mer­cur­i­al per­son­al­it­ies and rela­tion­ship of gui­tar­ist Chris Heazlewood and bass play­er Celia Mancini.

Alcohol, drugs, lack of self-discipline and incip­i­ent men­tal ill­ness con­spired to pre­vent them from achiev­ing world dom­in­a­tion in the last dec­ade where such a thing was pos­sible. Based on the life­styles presen­ted in the film, it’s sur­pris­ing they didn’t all die of scurvy before the mil­len­ni­um even arrived.

Instead, they fell apart, per­son­ally and pro­fes­sion­ally, but in 2016 they reformed the last ver­sion of the band for a fest­iv­al appear­ance and joy­less tour.

It’s not entirely clear from Cushla Dillon and Andrew Moore’s bril­liant film why they decided to put them­selves through this. A pay­day was surely a factor, but also the oppor­tun­ity to say some­thing about them­selves and etch their achieve­ments in some form of posterity.

Unfortunately, Mancini was in no fit med­ic­al or men­tal state to tour and the doc­u­ment­ary fol­lows their incess­ant bick­er­ing through rehears­als and sev­er­al frac­tious gigs.

The geni­us of the film, though, is that it care­fully replays the his­tory of the band along­side this pain­ful exper­i­ence, and it man­aged to always answer the next ques­tion I had – right at the moment I asked it. New illu­min­a­tion arrives just at the right time.

King Loser is a film about – among oth­er things – the dangers of believ­ing the rock ‘n roll hype and liv­ing the life­style to such a degree that you lose your­self inside it. The most suc­cess­ful rock stars are the ones who can turn that shit on and off, put the cos­tume on when required.

Because, as so many of us have learned, it’s just a job and the job will nev­er love you back. You have to con­tin­ue to live in the real world, no mat­ter how much you rail or rebel against it, and fail­ure to acknow­ledge that means you are that much more likely to end up with some kind of chem­ic­al depend­ence, liv­ing under a bridge with a few of your books for company.

I can’t remem­ber what it is called now – and I nev­er had a chance to see the com­plete film – but I saw a trail­er for a doc­u­ment­ary once about punk musi­cians who had become fath­ers. It was a fly-on-the-wall film show­ing these tat­tooed freaks get­ting their little mop­pets ready for school, mak­ing sure they had full lunch boxes and prais­ing the Disney prin­cess art­work they brought home.

Somehow, they were able to bal­ance the fantasy of nihil­ist­ic­ally scream­ing into micro­phones for a liv­ing with the real­ity of toi­let paper shop­ping and parent-teacher even­ings. Heazlewood and Mancini nev­er found that unlikely equilibrium. 

Anyway, King Loser the film is a great piece of work – even though I can­not stand the music – and it’s a por­trait of New Zealand cul­ture that abso­lutely deserved the NZ On Air Taite Prize for Outstanding Music Journalism a couple of weeks ago. See it if you get the chance.


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Where to watch King Loser

The con­tent below was ori­gin­ally paywalled.

Aotearoa: Digital rent­al at AroVision

Rest of the world: Get a VPN and set up a rent­al account at AroVision, I guess.