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ian mune Archives - Funerals & Snakes

Review: Arthur Christmas, Immortals, When a City Falls, Rest for the Wicked and Submarine

By Cinema and Reviews

I believe that it should be illegal to even mention the word Christmas in any month other than December. Yup, illegal. No one should be allowed to even breathe it, let alone have parades, display mince pies in supermarkets or throw staff parties. If, as a once-great nation, we can restrict firework sales to three days before Guy Fawkes I’m sure we can manage to pull our collective yuletide-obsessed heads in for a few weeks and focus all that attention on only one month a year.

Arthur Christmas posterAt least that’s what I thought until last Friday. That was when I saw the new picture from England’s Aardman Animation, Arthur Christmas. I was prepared, based on my aforementioned bah-humbuggery — and some unprepossessing trailers — to be scornful and yet I was won over. Won over to the extent that I might as well be wrapped in tinsel with a fairy on top. Arthur Christmas made me believe in Christmas a week before I was ready.

This film is digital 3D rather than the stop-motion clay models that made Aardman famous, but the invention, wit, pace, structure and commitment to theme are all securely in place, brought to life by an awesome UK voice cast (Jim Broadbent and Bill Nighy both do outstanding work) and some brilliantly clever visuals.

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Review- Billy T: Te Movie, POM Wonderful Presents: The Greatest Movie Ever Sold, Incendies, Of Gods and Men, How I Ended This Summer, Mr. Popper’s Penguins and Something Borrowed

By Cinema and Reviews

Billy T: Te Movie posterProspective new migrants to New Zealand should be shown Ian Mune’s movie Billy T: Te Movie in order to weed out the uncommitted. Of course, we needn’t tell them that the country has changed beyond all recognition in the the last 25 years — that would spoil the fun. We could stick a hidden camera on them and giggle (I think I know what the giggle should sound like too) as the full horror of New Zealand’s unsophistication in the 70s and 80s is revealed.

Billy’s success was symptomatic of that strange immature clinging to overseas ideas that riddled New Zealand culture at the time — he was inspired by awful Northern comics like Bernard Manning and Les Dawson — but he was also a catalyst for the change and Mune’s doco tells his story well. My only complaint — for a change — is that it isn’t long enough — some of the most interesting aspects of Billy’s life are skirted over pretty lightly. I could have done with more from Jim Moriarty, for example, about what it was like as an activist to watch the only Maori on tv perpetuating ugly stereotypes. In fact, they could have swapped more analysis for some of Billy’s lamer jokes and I wouldn’t have minded.

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Review: Dinner for Schmucks, The Insatiable Moon and Picture Me

By Cinema, Conflict of Interest and Reviews

Dinner for Schmucks posterAfter a week when New Zealand has been forced to confront its own intolerance and social myopia it seems fitting that two films that are essentially about understanding and accepting diversity should arrive in cinemas in the same week. They both take drastically different approaches to the topic, too.

In Dinner for Schmucks, ambitious hedge fund analyst Paul Rudd has to find a guest to take to a monthly senior management party in which unusual people are secretly held up to ridicule. When his Porsche knocks over mild mannered public servant and amateur taxidermist Steve Carell he thinks he’s found the right man. But Carell’s character, Barry, latches on to him causing mayhem wherever he goes.

Eventually, after Rudd’s relationship and career are wrecked, they both reach a deeper understanding of each other and some decent human values: laughing with someone is ok. At someone? Not so much. And if you are anything like me, you will laugh.

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