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jean claude van damme Archives - Funerals & Snakes

Review: Moonrise Kingdom and The Expendables 2

By Cinema and Reviews

Moonrise Kingdom posterWes Anderson may be the currently working director least suited to using 3D. His scenes are often flat tableaux with his characters spread out laterally across the screen. If he was telling the story of Moonrise Kingdom 1,000 years ago it would be a tapestry, like Bayeux, and I think he’d probably be OK with that.

That visual style suited the puppetry of the delightful Fantastic Mr Fox but this new film populates the flat, theatrical, planes with living, breathing human actors — not just actors, movie stars (including Bruce Willis and Ed Norton).

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Review: The Expendables, Tomorrow When the War Began, It’s a Wonderful Afterlife, Going the Distance, Exit Through the Gift Shop, Joan Rivers- A Piece of Work, Beyond Ipanema and Jean Charles

By Cinema and Reviews

The Expendables posterAs the great 80s action heroes passed their respective peaks and drifted down the other side towards irrelevancy (or ego-centric foolishness) those of us that cared about these things were on the lookout for the next generation. Who was going to replace Stallone, Willis and Schwarzenegger (not to mention the subs bench: Van Damme, Seagal and Norris)? For a while I thought that The Rock was going to be a worthy bearer of the chains of office but he changed his name back to Dwayne and started making (fun) films for kids instead.

Now we get out answer. Stallone has gathered all his action hero mates together for one last hurrah, anointed his successor and the result may surprise you. Yes, the torch has officially been passed to former Olympic diver and gruff voiced cockney oik Jason Statham who plays Stallone’s number two in The Expendables, a big noisy, old-fashioned, romp through explosions, wisecracks, Latin American dictators and bent CIA agents. No cliché is left out and The Expendables provokes more nostalgia than adrenaline.

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Review: Gomorrah, The Proposal and A Bunch of Amateurs

By Cinema and Reviews

Gomorrah posterMartin Scorsese isn’t just a legendary director, he is also one of the world’s great enthusiasts for cinema — the definitive cineaste if you will. By heading the World Cinema Foundation, he has lent his substantial imprimatur to major works of film restoration and he also uses his influence to endorse significant new European work, helping to get films like 2007’s The Golden Door wider attention and distribution. Thus, “Martin Scorsese presents” Gomorrah, which opened nationwide this week after stints at last year’s film festival and the World Cinema Showcase in March.

Acclaimed around the world as a modern masterpiece, I don’t have much to add to the readily available existing plaudits. Squarely in the Italian neo-realist tradition, Gomorrah is a hand-held look at the current state of mafia affairs in Naples where a brutal working class gang known the Camorra holds sway over the housing estates and the impoverished peasant classes. From protection rackets and drugs to the disposal of toxic waste, there’s not much that they aren’t into, making sure that all the gains are laundered swiftly into legitimate businesses that continue to operate around the world.

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Review: Terminator Salvation, Love the Beast, Fugitive Pieces, JCVD and In Search of a Midnight Kiss

By Cinema and Reviews

Terminator Salvation poster’Tis the season to reboot tired franchises and this week we get an explosive new look at James Cameron’s beloved Terminator. Set only nine years in the future (when open-air battlefield heart transplants will be de rigeur during la guerre), the Judgement Day of T2 has destroyed most of the West Coast of the USA and only a hardy band of ill-equipped rebels are keeping the monstrous Skynet at bay.

John Connor, prophesied future saviour of the human race, is a only a soldier in the rebel army but his regular radio broadcasts bring hope to the scattered, ragtag freedom-fighters. In a battle to rescue some human prisoners his entire squad is killed – but he does manage to release the mysterious Marcus Wright (Aussie boofhead Sam Worthington) who may hold the key to the defeat of the machines.

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Preview: World Cinema Showcase

By Cinema and Wellington

Too late to be more than 50% useful to anyone, here’s my World Cinema Showcase preview:

WSC 09 StarAs summer gives way to autumn, and Daylight Saving Time gently releases its grip on our priorities, the first significant film festival of the year returns to take up residence at the Paramount. The World Cinema Showcase is two very tidy weeks of great filmgoing, almost as if the grand, winter, Festival has been distilled down to a manageable essence.

Within, 33 features (and one omnibus collection of shorts) compete for your attention and, luckily, the long Easter weekend allows you take full advantage. A few of the titles were made available to critics as previews, but many more are on my list of films I simply must see on the big screen and, depending on your tastes and interests, nothing is un-recommendable.

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