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temuera morrison

Review: Mt. Zion, Hitchcock, Movie 43, Step Up to the Plate, You Will Be My Son, On Air and Flight

By Cinema and Reviews

Kiwi crowd-pleasers don’t come much more crowd-pleasing than Tearepa Kahi’s Mt. Zion, fea­tur­ing TV tal­ent quester Stan Walker in a star-making per­form­ance as a work­ing class kid with a dream. Slogging his unwill­ing guts out pick­ing pota­toes in the mar­ket gar­dens of 1979 Pukekohe, nervously mak­ing the first steps in a music career that seems impossible and fan­tas­ising about meet­ing the great Bob Marley, Walker’s Turei is out of step with his hard work­ing fath­er (Temuera Morrison) and the back-breaking work.

When a loc­al pro­moter announces a com­pet­i­tion to be the sup­port act for the reg­gae legend’s forth­com­ing con­cert at Western Springs, Turei tests the bound­ar­ies of fam­ily and friend­ship to get a shot at the big time. The bones of the story are famil­i­ar, of course, but there’s meat on the bones too – a slice of New Zealand social his­tory with eco­nom­ic changes mak­ing life harder for a people who don’t own the land that they work. Production design (by Savage) and authentic-looking 16mm pho­to­graphy all help give Mt. Zion a look of its own and the music – though not nor­mally to my taste – is agree­able enough.

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Review: Argo, The Intouchables, Fresh Meat, It’s a Girl, Shadow Dancer and Mental

By Cinema and Reviews

Near the end of 1979, the new hard­line rulers of Iran – incensed by the US government’s sup­port for the pre­vi­ous des­pot – stormed the embassy in Teheran and held the occu­pants host­age for over a year, long enough to wreck President Jimmy Carter’s attempt at re-election and to define American rela­tions with the Persian Gulf for anoth­er thirty years. That side of the story is rel­at­ively well-known. The secret story of the six embassy staff who escaped, hid in the Canadian ambassador’s house, and were then spir­ited out of the coun­try dis­guised as a Hollywood film crew? Not so much.

Thanks to the recent declas­si­fic­a­tion of the CIA and State Department files, the weird and won­der­ful story of Argo can be told, and – this being a Hollywood story about a Hollywood story – it gets a bit of a punch-up to make sure none of the enter­tain­ment poten­tial is wasted. So now, Argo is “inspired by a true story” rather than “based on a true story” and it is also the smartest and most enter­tain­ing Hollywood pic­ture for grown-ups this year.

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Review: Bridesmaids, Green Lantern, Russian Snark, Mammoth and The Conspirator

By Cinema and Reviews

After years of auteur the­ory we have become con­di­tioned to describe films as products of their dir­ect­or and so in my first draft of this review I star­ted off talk­ing about Paul Feig’s Bridesmaids. But it isn’t really Paul Feig’s Bridesmaids, it’s Kristen Wiig’s Bridesmaids. She co-wrote it (with Annie Mumolo), co-produced it and stars in it as Annie, a thirty-something single woman liv­ing in Milwaukee, hav­ing a hard time of things (but a com­edy hard time of things, this isn’t Down to the Bone or some­thing from Romania).

Still, she’s lost all her money in a failed bak­ing busi­ness (blamed on the eco­nomy not her mar­vel­lous cakes), she’s flat­ting with two awful English sib­lings who have no idea of bound­ar­ies and her best friend (Maya Rudolph from Away We Go) is get­ting mar­ried while she is in an entirely unsat­is­fact­ory ‘friends with bene­fits’ arrange­ment with douche Jon Hamm.

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Review: Operation 8, Hook, Line & Sinker, Tracker, Source Code, Your Highness and Babies

By Cinema and Reviews

I was expect­ing to come out of Operation 8 fired up but instead I emerged depressed and dis­pir­ited. I knew that New Zealand’s default polit­ic­al set­ting was benign com­pla­cency but I hadn’t real­ised that the full force of a – frankly – barely com­pet­ent police state was being brought to bear on the few of us who were actu­ally agit­at­ing and protest­ing for a more pro­gress­ive society.

Operation 8 is Errol Wright and Abi King-Jones’ unashamedly par­tis­an telling of the 2007 “Urewera 18 17” scan­dal in which dis­par­ate protest groups across New Zealand (with the focus on Tuhoe’s inde­pend­ence move­ment) were viol­ently raided, imprisoned and – now about to be – giv­en a tri­al without a jury. It’s a shock­ing lit­any of state arrog­ance and ineptitude, all the more depress­ing for com­men­cing under a Labour Government.

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Review: An Education, Couples Retreat and Fighting

By Cinema and Reviews

Twickenham in 1961 might well have been the most bor­ing place on Earth. The 60s haven’t star­ted yet (accord­ing to Philip Larkin the dec­ade wouldn’t start until 1963 “between the end of the Chatterley Ban/and The Beatles first LP”) but the train was already on the tracks and could be heard approach­ing from a dis­tance if you listened closely enough. Middle-class teen­ager Jenny is study­ing hard for Oxford but long­ing for some­thing else – free­dom and French cigar­ettes, love and liberation.

In Lone Scherfig’s An Education (from a script by Nick Hornby; adap­ted from Lynn Barber’s mem­oir), Jenny is lumin­ously por­trayed by new­comer Carey Mulligan (so ador­able that if she’s ever in a film with Juno’s Ellen Page we’ll have to recal­ib­rate the cute­ness scale to accom­mod­ate them both) and she gets a hint of a way out of sub­urb­an English drudgery when she meets cool busi­ness­man David (Peter Sarsgaard) and he whisks her off her feet, to the West End and to Paris.

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