Anyone wondering whether the great Pedro Almodóvar had lost some of his edge at the ripe old age of 62 should immediately check out his new film The Skin I Live In which is as deranged as anything else he has produced in more than thirty years of feature film making. Puss In Boots himself, […]
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After the abject disaster that was the Nicolas Cage vehicle Next, I am surprised to report that Once Were Warriors director Lee Tamahori has made another film. And even more surprised to report that it looks quite interesting. The Devil’s Double is based on the autobiographical novel by Latif Yahia who spent a great deal of the […]
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When the Film Festival screening of Animal Kingdom finished, my companion and I turned to each other and realised that neither of us had breathed for the last five minutes. The tension that had been slowly building throughout the film had become almost unbearable and director David Michôd’s Shakespearean climax was no less than the …
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I watch a lot of movies in this job and this week I’d like to start with a couple of important tips that will help keep your cinema-going experience in top shape. Firstly, ice cream. Avoid tubs of ice cream if possible because you have to look down every scoop to make sure you’re not […]
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The first thing you need to know about It’s Complicated is that it isn’t very complicated at all. The plot, the characters, the gags (dear God, especially the gags) are all perfectly comprehensible — even to those of us with only modest intellectual faculties. Rest assured, at no point will anyone be talking over your …
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So, it’s the school holidays and the nippers are bouncing off the walls. You’re not allowed to just leave them in the car while you play the pokies anymore so it’s time to get creative. There are plenty of kid-friendly movie options around and the only drawback is that you might have to sit and …
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”