This past week may have been the most consistently satisfying week of cinema-going since I started this journey with you back in 2006: seven very different films, all with something to offer. And no turkeys this week, so I’ll have to put the acid away until next week. In completely arbitrary order (of viewing in fact), […]
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This week’s Capital Times film review: The Heartbreak Kid (Bobby Farrelly & Peter Farrelly); Nina’s Journey (Lena Einhorn); The Secret Life of Words (Isabel Coixet); The Dead Girl (Karen Moncrieff); Bella (Alejandro Gomez Monteverde); Beowulf (Robert Zemeckis)
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There’s something creepy yet disarmingly human about Peter O’Toole’s ageing lothario in Venus; a once beautiful actor still working sporadically, his cadaverous features best-suited to the literal portrayal of corpses, clinging to the promise of beauty and pleasure despite the ultimate futility of the chase. Newcomer Jodie Whittaker (in a star-making performance) becomes the object […]
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”