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dennis quaid

Review: Mt. Zion, Hitchcock, Movie 43, Step Up to the Plate, You Will Be My Son, On Air and Flight

By Cinema and Reviews

Kiwi crowd-pleasers don’t come much more crowd-pleasing than Tearepa Kahi’s Mt. Zion, fea­tur­ing TV tal­ent quester Stan Walker in a star-making per­form­ance as a work­ing class kid with a dream. Slogging his unwill­ing guts out pick­ing pota­toes in the mar­ket gar­dens of 1979 Pukekohe, nervously mak­ing the first steps in a music career that seems impossible and fan­tas­ising about meet­ing the great Bob Marley, Walker’s Turei is out of step with his hard work­ing fath­er (Temuera Morrison) and the back-breaking work.

When a loc­al pro­moter announces a com­pet­i­tion to be the sup­port act for the reg­gae legend’s forth­com­ing con­cert at Western Springs, Turei tests the bound­ar­ies of fam­ily and friend­ship to get a shot at the big time. The bones of the story are famil­i­ar, of course, but there’s meat on the bones too – a slice of New Zealand social his­tory with eco­nom­ic changes mak­ing life harder for a people who don’t own the land that they work. Production design (by Savage) and authentic-looking 16mm pho­to­graphy all help give Mt. Zion a look of its own and the music – though not nor­mally to my taste – is agree­able enough.

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Review: Arrietty, Taken 2, On the Road, Life in Movement, Searching for Sugar Man, The Last Dogs of Winter and The Words

By Cinema and Reviews

After an intense week­end run­ning from pic­ture theatre to pic­ture theatre between – and some­times dur­ing – rain showers, I have now caught up on everything in cur­rent loc­al release. Except Tinker Bell and the Secret of the Wings but a Twitter cor­res­pond­ent assures me: “Just FYI my 5 year old great niece loved it so much she stood up at the end clap­ping & dancing…you should go you’ll love it ;)” and that review might just have to do for now.

Arrietty posterA little harder to track down than Tinker Bell, Madagascar 3 or Hotel Transylvania – but well worth the effort – is Arrietty, a Studio Ghibli anim­ated adapt­a­tion of The Borrowers, Mary Norton’s fam­ous children’s book about tiny people liv­ing under a house who are dis­covered by a frail young boy who needs a friend. Beautifully anim­ated – as always – and told with emo­tion and sim­pli­city, Arrietty is a fine altern­at­ive to those over-hyped Hollywood con­fec­tions. The ver­sion play­ing in Wellington is the English voiced one fea­tur­ing Saoirse Ronan, Olivia Colman and Mark Strong – much easi­er on the ears than the American voices and much easi­er to fol­low for the lit­tlies than the ori­gin­al Japanese.

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Telluride Diary part six: The show (part three)

By Cinema and Travel

Firstly, I should add a vital – totally Telluride – detail to yes­ter­day’s post. By choos­ing to watch Rust & Bone and the Marion Cotillard Tribute I missed the first indoor screen­ing of Hyde Park on Hudson and there­fore a rare live appear­ance by Bill Murray at the Q&A. Regret is an emo­tion reserved for those who only look back­wards but – damn!

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Legend Leonard Maltin wait­ing to gain entry to At Any Cost.

Back to the show. Sunday was always likely to be a very full day and – with my new found con­fid­ence in the “sys­tem” I was determ­ined to take full advant­age. I once begged the New Zealand Film Festival to let me watch a screen­er of Ramin Bahrani’s Man Push Cart, even though they had chosen not to pro­gramme it because I loved the idea so much and because Roger Ebert has been cham­pi­on­ing the tal­en­ted young dir­ect­or for years. In fact, they have only screened one of his three films to date: Goodbye Solo in 2009.

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Review: Spy Kids 4D, The Smurfs, Johnny English Reborn, Real Steel, Footloose, The Orator, Norwegian Wood and the 2011 Italian Film Festival

By Cinema and Reviews

While thou­sands of protest­ors gath­er in Manhattan to “Occupy Wall St”, the European eco­nomy teeters on the brink of col­lapse, unem­ploy­ment across the developed world grows and sev­er­al Pacific island nations report short­ages of drink­ing water due to cli­mate change, here in New Zealand we con­tin­ue to party like it’s 1987 and at the pic­tures for the school hol­i­days we have the most blatant and des­per­ate examples of cor­por­at­ist “enter­tain­ment” I’ve ever seen lined up togeth­er. Is this the cinema equi­val­ent of fid­dling while Rome burns?

In The Smurfs the mega-sized Sony cor­por­a­tion makes sure that its name and products are nev­er very far from the centre of the screen, ren­der­ing the lumpy end product utterly charm­less. In Real Steel the product place­ment is more like product bom­bard­ment. Nothing goes without a logo – from Hugh Jackman’s sunglasses to HP (or are they still known as Hewlett-Packard?) spend­ing thou­sands of dol­lars to pro­mote products they don’t even make any­more. Meanwhile, the spies in Spy Kids 4 all use Apple products – although for the most part they are pre­tend­ing to be some­thing oth­er than com­puters and iPads.

Johnny English Reborn even goes so far as to make a joke out of its depend­ency on the rap­idly declin­ing cor­por­ate dol­lar – English’s beloved MI7 has changed it’s name to Toshiba MI7 while he was on an enforced sab­bat­ic­al. Whether the pres­ence of a sen­su­ously pho­to­graphed (and glow­ingly described) Rolls Royce will prompt the aver­age audi­ence mem­ber to trade in their fifteen-year-old Mazdas is neither here nor there. The fact remains that if you send your kids to the pic­tures this hol­i­days they will be indoc­trin­ated more than any gen­er­a­tion before them.

Spy Kids 4 posterBut are the films any good? Actually, yes, a couple of them are OK. I’m a big fan of Robert Rodriguez and his abil­ity to altern­ately churn out grown-up pulp like Machete and family-friendly fare like Shorts. His Troublemaker Studios in Austin knows how to make things look good (enough) on mod­est budgets and Rodriguez’ relent­lessly invent­ive ima­gin­a­tion keeps everything lively and fun. I thought Spy Kids 4 was endear­ing and it man­aged to deliv­er a good mes­sage along with the thrills and spills.

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Review: Separation City, G.I. Joe- The Rise of Cobra, Coco Avant Chanel, Flashbacks of a Fool and Earth Whisperers/Papatuanuku

By Cinema and Reviews

Separation City posterBecause priv­ileged white males haven’t had a fair suck of the sav in recent times when it comes to arts fund­ing it seems only fair that the Film Commission should try and redress that injustice with the new Tom Scott-scripted com­edy Separation City.

Aussie Joel Edgerton plays Simon, a nor­mal kiwi bloke who has a gor­geous intel­li­gent wife, a beau­ti­ful house on the beach in Eastbourne, a job steer­ing affairs of state for a cab­in­et min­is­ter and a mid-life crisis caused by noth­ing more dra­mat­ic than a lack of action in the bed­room. He falls for beau­ti­ful cel­list Katrien who may or may not be Dutch or German but has the cut glass English accent of London-born Rhona Mitra (last seen in skin-tight leath­er as a vam­pire in Underworld 3).

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Review: Forgetting Sarah Marshall, The X-Files: I Want to Believe, Closing the Ring, Smart People, Married Life, Miss Pettigrew Lives for a Day and Journey From the Fall

By Cinema, Conflict of Interest and Reviews

Forgetting Sarah Marshall posterForgetting Sarah Marshall is an ideal post-Festival pal­ate cleanser: a saucy com­edy fresh off the Judd Apatow pro­duc­tion line (The 40 Year Old Virgin, Knocked Up). Here he gives the spot­light to one of his sup­port­ing play­ers: Jason Segal (Knocked Up) plays tv com­poser Peter who with­in two minutes of the start of the film is dumped by tv star Sarah M. (Kristen Bell from “Veronica Mars”). He goes to Hawaii to recov­er only to dis­cov­er that his ex is also there – with her new English rock star boy­friend. Very funny in parts, sur­pris­ingly mov­ing at times thanks to a heart­felt per­form­ance from big lump Segal, FSM gets an extra half a star for fea­tur­ing pro­fes­sion­al West Ham fan Russell Brand, play­ing a ver­sion of his sex-addicted stage persona.

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