Bloodless zombies would appear to be that latest trend if April’s Warm Bodies and this week’s World War Z are anything to go by. No blood means studios get a lower censorship classification and — hopefully — a bigger audience. But the absence of viscera also appears to bring with it a loss of metaphoric power. These zombies don’t mean anything very much; they certainly don’t have anything to say about the world we inhabit, or the fears we share. They are vehicles for jumps, scares and gotcha moments (or in the case of Warm Bodies, not even that).
In World War Z, co-producer Brad Pitt plays Gerry Lane, not a Beatles song but a disillusioned former UN troubleshooter trying to start a quiet life with his young family in Philadelphia. A rapidly spreading outbreak of a mystery rabies-like disease turns his — and everyone else’s — life on its head. In a matter of seconds the bite victims become almost unstoppable predators, hunting the healthy in growing packs.[pullquote]The Hunt felt like a beat-up in more ways than one[/pullquote] Lane and his family are evacuated to an aircraft carrier where the last remaining evidence of authority attempts to restore order. There he unwillingly submits to his old boss (Fana Mokoena) and agrees to help trace the source of the disease and maybe find a cure. With the help of a handful of Navy SEALS and a bright young endocrinologist (Elyes Gabel) he travels to South Korea where the first reports of the outbreak only to find on his travels that things are far worse than anyone can imagine.