Last time we saw Tom Cruise he was known as Jack Reacher. Now, in Oblivion, his name is Jack Harper. What range! What diversity! You’d hardly recognise him. Harper is…
Danny Boyle is one of my favourite directors. From Shallow Grave in 1994 to 127 Hours in 2010, his work has stimulated and inspired me. I re-watched Trainspotting the other…
On Tuesday night I was privileged to host a new initiative from the Light House Cinema chain - a brief survey of a director's career prior to a special preview…
No sounds like the kind of thing a toddler in the middle of a tantrum might say, while stomping around your lounge room at bedtime. At the cinema, though, the…
It’s no disgrace to come second at Cannes to Michael Haneke’s Amour, especially so when your film is Rust and Bone. Writer-director Jacques Audiard has a track record of unsettling…
Alyx Duncan’s The Red House is a lovely example of how ideas that evolve, adjust, transform over time can produce work that is just as coherent and complete as if…