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RN 1/3: Launched

By Audio, Rancho Notorious

Special guests Darren Bevan, Dominic Corry, Graeme Tuckett and Chris Hormann on the just-launched NZIFF pro­gramme, 11-year-old Sebastian Macaulay on Disney’s Million Dollar Arm (star­ring Jon Hamm and writ­ten by Thomas McCarthy) and with Kailey’s help Dan reviews The Two Faces of January which fea­tures Viggo Mortensen, Kirsten Dunst and Oscar Isaac.

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RN 1/2: “Dying is easy, comedy is hard.”

By Audio, Rancho Notorious

Dominion Post and Newstalk ZB review­er Graeme Tuckett joins Dan and Kailey to talk about Taika Waititi and Jemaine Clement’s vam­pire mock­u­ment­ary What We do in the Shadows which is out this week­end across New Zealand (September in Australia) as well as meta-sequel 22 Jump Street which goes into it’s second week­end here and open­ing week­end across the Tasman.

This week’s Australian cor­res­pond­ent is Chris Elena and he’ll be giv­ing his impres­sions of the recent Sydney Film Festival and telling us about shoot­ing and edit­ing a short film on film.

Also, we’re joined by joined by Kiwi play­wright David Geary from Vancouver, Canada, who has just spent an even­ing with Oscar win­ner Oliver Stone at the Vancouver Biennale.

There are also a num­ber of utterly non-gratuitous men­tions of Game of Thrones in the pro­gramme that will no doubt be extremely help­ful for search engine optimisation.

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Rancho Notorious 1/1: The Pilot

By Audio, Rancho Notorious
Rancho_Notorious_logo_final_white_1600X1600

Yup, this is what all the fuss has been about. The logo has been beau­ti­fully art dir­ec­ted by Alice Brash and designed by Lisa Moes. Now it’s up to us.

In which we iron out a few of the kinks and get an idea about what this thing actu­ally might resemble.

This week, Dan and Kailey are joined by TVNZ’s Darren Bevan to review Tom Cruise in Edge of Tomorrow, The Fault in Our Stars (star­ring Shailene Woodley) and NZ indie Fantail are reviewed and Sam McCosh reports from Australia on the Sydney Film Festival.

Thanks to all our pledgers — we give you all a shoutout in the show, espe­cially our exec­ut­ive producers.

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Call to Arms

By Blogging, Cinema, meta

As they say in the movies, “It’s quiet… too quiet.” Yeah, sorry about that but I’ve had a lot on recently.

Here’s the deal. In October last year (2013 if you are vis­it­ing here via Google and the date is not oth­er­wise obvi­ous) I had to stop edit­ing ONFILM magazine due to the incon­veni­ence of not being paid and had to find anoth­er gig. Cinematica was tak­ing up a lot of also-not-being-paid time and, even though it was an enorm­ous amount of fun and enjoyed by many people, it was impossible to jus­ti­fy fin­an­cially the amount of time it took every week. Kailey leav­ing was prob­ably the final straw.

FH_COVER_May2014Since Christmas I have been work­ing as edit­or of FishHead magazine in Wellington, firstly as inter­im, then as former, and finally appoin­ted to the per­man­ent pos­i­tion in March. Learning a new magazine and a new mar­ket as well as get­ting a handle on the busi­ness side of things has meant that I haven’t had any time to keep these pages up. This may shock you but I haven’t even been able to watch as many films as I used to.

Anyway, FishHead is almost under con­trol, Nine to Noon is chug­ging along and the private life is in the best shape ever, so it’s time to rein­vig­or­ate my  per­son­al expres­sion engine — Funerals & Snakes. In June you will see a new look here and a return to reg­u­lar review­ing. Subscribers to the email news­let­ters will also get their weekly updates once again.

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Matthew McConaughey as Ron Woodroof in Dallas Buyers Club (2013)

Review: Dallas Buyers Club and Blue Is the Warmest Colour

By Cinema, Reviews

Dallas Buyers Club posterWhen we meet Texan man’s man Ron Woodroof (Matthew McConaughey) at the begin­ning of Dallas Buyers Club he is a mess – a shock­ing, dis­rep­ut­able, selfish com­bin­a­tion of drunk, thief, woman­iser and gam­bler. He doesn’t look so hot either. Soon after that, dur­ing a routine hos­pit­al check – routine for Ron is the equi­val­ent of an emer­gency for the rest of us – we dis­cov­er why: he has AIDS and, because it is only 1985 he has very little time left to live.

But because the word “ornery” was inven­ted in Texas, Woodroof has no inten­tion of suc­cumb­ing quietly, even steal­ing the exper­i­ment­al drug AZT from the hos­pit­al stores until he dis­cov­ers that it is even more tox­ic than the dis­ease he is afflic­ted by. A last chance stoned drive to Mexico intro­duces him to a struck-off doc­tor (Griffin Dunne) and a cock­tail of drugs that could extend his life – and mil­lions of oth­ers – if only he could get at them.

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