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December 2010

Dec 21 2010
Love0

Review: TRON- Legacy and The Kids Are All Right

By Cinema, Reviews

TRON: Legacy posterIndulge me for a minute – it’s Christmas. Back when I was a little nip­per, me and some mates took a rare trip into the City (“Up London” we called it) to see what we thought was going to be the biggest movie event of our lives so far. At the Odeon Marble Arch (sup­posedly the biggest screen in Europe!) we sat ourselves in the middle of the front row and pre­pared to be blown away. By TRON.

It was the first film to con­tain com­puter gen­er­ated effects and graph­ics and the first to make a dir­ect appeal to the nas­cent home com­puter gen­er­a­tion who would go on to define our future. The idea of being sucked inside a com­puter to play the games for real didn’t do much for me but the meta­phor­ic idea of los­ing one­self in the Grid (or the Net as we came to call it)? That had a lot more appeal.

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Dec 20 2010
Love0

“I no longer needed a reason for my existence, just a reason to live.”

By Asides, Humour

I know this has been going around a bit this week, but this para­graph stood out for me:

Wow. No God. If mum had lied to me about God, had she also lied to me about Santa? Yes, of course, but who cares? The gifts kept com­ing. And so did the gifts of my new found athe­ism. The gifts of truth, sci­ence, nature. The real beauty of this world. I learned of evol­u­tion -– a the­ory so simple that only England’s greatest geni­us could have come up with it. Evolution of plants, anim­als and us –- with ima­gin­a­tion, free will, love, humor. I no longer needed a reas­on for my exist­ence, just a reas­on to live. And ima­gin­a­tion, free will, love, humor, fun, music, sports, beer and pizza are all good enough reas­ons for living.

[From A Holiday Message from Ricky Gervais: Why I’m An Atheist – Speakeasy – WSJ]
Dec 20 2010
Love0

Review: Salt, Cairo Time, The Concert & Harry Brown

By Cinema, Reviews

If I had to use a four let­ter word start­ing in ‘S’ and end­ing in ‘T’ to describe the new Angelina Jolie thrill­er, Salt wouldn’t be the first word I would think of. The last time Ms Jolie played an action heroine she was a weaver/assassin receiv­ing her orders from a magic loom and her new film is only slightly less ridicu­lous. What we have here is an unima­gin­at­ive reboot of old Cold War ideas, as if the script was found in someone’s draw and all they’ve done is blow the dust off it.

Jolie plays Evelyn Salt, a CIA spook on the Russian desk. When we meet her she’s in her under­wear being tor­tured by the North Koreans. A spy-swap gets her out even though, accord­ing to the rules, she should’ve been left to her fate. Back in Washington, she’s mar­ried to the world’s expert on spiders (he stud­ies them in jars at the kit­chen table) but he’s German so obvi­ously not above suspicion.

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Dec 15 2010
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Review: Prince of Persia- The Sands of Time & A Nightmare on Elm Street

By Cinema, Reviews

Prince of Persia: The Sands of Time posterThere’s some­thing quite inter­est­ing going on with Prince of Persia: The Sands of Time that isn’t imme­di­ately appar­ent from the pub­li­city. Somehow, screen­writers Boaz Yakin, Doug Miro and Carlo Bernard (there’s also a story cred­it for Jordan Mechner who cre­ated the ori­gin­al video game series) have snuck a clev­er little par­able of George W. Bush’s pres­id­ency into a big budget action-adventure, past the Disney gate­keep­ers with the unlikely con­niv­ance of block­buster pro­du­cer Jerry Bruckheimer (Pirates of the Caribbean).

Now, I’m not sug­gest­ing for a moment that this polit­ic­al allegory makes Prince of Persia worth see­ing – the rest of the film is so stil­ted I couldn’t pos­sibly do that – but it does make for an inter­est­ing diver­sion while one is forced to sit through some of the poorest action dir­ect­ing in any recent big budget film.

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Dec 14 2010
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Review: Get Him to the Greek, The Last Station and Amreeka

By Cinema, Reviews

Get Him to the Greek posterForgetting Sarah Marshall was one of the sur­prise pleas­ures of 2008. An Apatow com­edy that was rel­at­ively mod­est about it’s ambi­tions it fea­tured a break-out per­form­ance from English comedi­an Russell Brand, play­ing a ver­sion of his own louche stage persona.

As it so often goes with sur­prise hits, a spinoff was rushed into pro­duc­tion and we now get to see wheth­er Mr Brand’s brand of humour can carry an entire film. Get Him to the Greek sees Brand’s English rock star Aldous Snow on the comeback trail after a failed sev­en year attempt at sobri­ety. Unlikely LA A&R man Jonah Hill (Knocked Up, Funny People) sells his record label boss, Sean “P Diddy” Combs, on a 10th anniversary con­cert fea­tur­ing Snow and his band Infant Sorrow at the Greek Theatre of the title.

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Dec 14 2010
Love0

Review: The Girl Who Kicked the Hornets’ Nest, Devil, La Danse, Love Crime, The Eclipse and Glorious 39

By Cinema, Reviews

The Girl Who Kicked the Hornets' Nest posterThe irony of watch­ing a film in which shad­owy fig­ures from the Swedish gov­ern­ment lie, steal and murder in order to dis­cred­it a journ­al­ist try­ing to reveal embar­rass­ing secrets, in the same week that Wikileaks founder Julian Assange was accused of rape by a Swedish pro­sec­utor wasn’t lost on this review­er. Sadly, that was the only pleas­ure to be found watch­ing The Girl Who Kicked the Hornets’ Nest, num­ber three in the Millenium tri­logy that star­ted in 2009 with The Girl With the Dragon Tattoo.

This film picks up almost imme­di­ately after the pre­vi­ous epis­ode fin­ished and you may be sur­prised to dis­cov­er that pretty much every­one you thought was dead turns out to be still alive and mak­ing mis­chief. Feisty Lisbeth Salander (Noomi Rapace) is stuck in hos­pit­al recov­er­ing from her injur­ies while dour journ­al­ist Blomkvist (Michael Nyqvist) and his mates do their investigatin’.

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