Three films this week point the way towards possible futures for cinema — and if two of them are right then we should all find another hobby. Like Crazy is a mostly-improvised romance shot on one of those pro-am stills cameras that can also shoot hi-def video (the Canon 7D in this case). These devices […]
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My big beef with most eco-documentaries is the lack of hope. Whether it’s Rob Stewart (Sharkwater), Franny Armstrong (The Age of Stupid) or even Leonardo DiCaprio (The 11th Hour) most of these films go to a lot of trouble to tell you what’s wrong with the planet but leave us feeling helpless and depressed. That’s […]
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I was really enjoying Inception until I woke up. Actually, that’s not true. Unlike my companion, the Sandman didn’t come to rescue me from Christopher Nolan’s bombastic blockbuster and I had to sit through all two and a half hours of it, wondering what all the fuss was about. Leonardo DiCaprio plays a corporate spy who […]
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There’s something very odd about the opening scenes in Shutter Island and it takes the entire film for you to put your finger on it. Shots don’t match between cuts, there’s a stilted quality to the dialogue (too much exposition for a Martin Scorsese movie) and the pacing is off. For a while I found …
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Clint Eastwood has been on our screens for over 50 years and at 78 years old he has decided to call it a day and his valedictory performance in Gran Torino is completely worthy of the man. Eastwood plays Walt Kowalski, a working class widower living on a suburban Detroit street, one of the few …
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Oh, what kind of year is 2008 that has two Coen Brothers films within it? In February I was swooning over No Country for Old Men and now, just a few short months later, I’ve been treated to Burn After Reading, a scathing and bitter comedy about modern American ignorance. It’s a vicious, savage, despairing […]
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”